Le cinéma et la ville, un nouveau genre de documentaire en Iran by Pouria Jahanshad, Mina Saïdi-Sharouz

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An Analysis of the Relationship between Cultural- Cinematic Policies of Iran and the Movies Introduced as the Representative of Iranian Cinema to the Academy of Oskar by Azam Ravadrad, Amirhossein Tamannaei

“…In this article the relationship between cultural policies and cinema in Iran is studied through a comparison between cultural-cinematic policies of two different Iranian states during years 1377 and 1389 and their effects on selecting the representative of Iranian cinema to the academy of Oskar. …”
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Image of Iraqis in The Cinema of Sacred Defense by Abdollah Givian, Zohreh Tavakoli

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Women, Film and Politics in the Islamic Republic of Iran 1979-2005; A Perspective from Learning from Experience and Performance Theory by Sami Oguz, Özlem Sert

“…The analysis begins with a general examination of the interaction between politics and culture through the main currents in Iranian cinema. In this part, a periodization of the post-revolution era in Iran is presented through cultural products, especially Iranian films such as the religious era, the war and post-war era, the pastoral era, and the critical era. …”
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Discourse Components For and Against Retaliation in Iranian Cinema by Hamid Reza Daneshnari, narjes maleki

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Evaluating the Status Approvals about Cinema (1989 to 2009) by Elahe Dehghan Pishe, Reza Esmaeili

“…The present study aimed to study and evaluate the state approvals in the field of The cabinet approval in mentioned period 1989 to 2009 in Iran. cinema from which keywords related to cinema is shown in their titles or texts will form this The method of this research is content analysis and the instrument used .research is a checklist with r= 0.91 using Scott formula. …”
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Comparative analysis of family values in Iranian and Russian cinema by M. I. Kosinova, T. Solgi

“…The main laws and draft laws that contribute (or will contribute) to the strengthening of traditional family values in the culture of Russia and Iran in general and cinema in particular are analyzed.…”
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The Impact of Cinema and Film Screening Places on Improving the Art Cinema Market and Cultural Promotion of Urban Spaces (Case Study: District 6 of Tehran) by Farzin Nematbakhsh Abkenar, Mansoureh Aligholi, Hossein Safarzadeh, Seyed Kamran Nourbakhsh

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DEVICTOR Agnès, Images, combattants et martyrs. La guerre Iran-Irak vue par le cinéma, Coll. Terres et gens d’islam, Paris, IFRI, IISMM, Karthala, 2015, 487p. by Cécile Boëx

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Transformation of Values, Identities & Life Styles at Iranian Society in Cinema Narration by Jamal Mohammadi, Abdollah Bicheranlo

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Imagination of Tehran: Study of "Mindscape of the City" through 1340s and 1350s Iranian Cinema by Azam Ravadrad, Baharak Mahmoodi

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A Critical Review on the Book An Approach to Realism, Cinema and the Expression of Religious Concepts by Ali Khorashadi, Dariush Esmaeili

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Representation of Class and Class Relationships in Iranian Cinema Case Study of “a Separation: Nader and Simin” by Mohammad Rezaei, Arash Hasan pour, Simin Daneshgar

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A Critical Review on Paul Schrader’s Book Transcendental Style in Cinema Ozo, Bresson, Dreyer by Mohammadjavad Goharbakhsh, Shahab Esfandiari, Pedram Rostami

“…This book was translated in 2003 by Mohammad Gozarabadi in Iran. The second edition of the book that was published in 2018 included the introduction of slow cinema and Schrader's revision of some of the concepts of this style. …”
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A Systematic Review of Family and Media Research (With Emphasis on Virtual Social Networks, Cinema, and Television( by Seyed javad Hosseini, hassan bashir, mozhgan oroji

“…In this study, after reviewing 93 extracted articles on the subject of media and family, and analyzing descriptive statistics and themes in areas such as social networks, television, and cinema, the strengths and weaknesses of the research were identified. …”
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Superhero's house in cinema: Analyzing the concept of home within the Marvel and DC cinematic universes from 2008 to 2023 by K. Hedayati, A. Asgari

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Genre and Identity: A Comparative Study of the Role of National and Cultural Identity in the Development of Local Cinema Genres by Sam Izadi

“…For example, all local genres in Japanese cinema like Kaiju or Yakuza films are sub-genres or hybrid genres: Kaiju genre is a combination of features of two genres, science-fiction and horror, and Yakuza film is one of the sub-genres of crime genre.Studying a wide range of local genres including the Martial Arts in Hong Kong, Spaghetti Western in Italy, Masala in India, Heimatfilm in Germany, Anime in Japan and Filmfarsi in Iran, proves that despite the diversity of generic elements in local genres, there is a consistent trend in the development of these genres which seems to be an influence of the national or cultural identity of that genre's region. …”
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Abbas Kiarostami Filmlerinde Gerçekçilik: Yakın Çekim (Nema-ye Nazdik – 1990) Filminin Nokta Metaforuyla Yeni Bir Okuması by Murat Şahin

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Investigating the Interaction between Story and Narrative Discourse in Abbas Kiarostami's Cinema, with a focus on the Movie Certified Copy by Zanyar Habibi kilak, Mohammad Shahba

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A Critique on the Book Silent Cinema by Liam O’Leary, Paul A. Schroeder Rodriguez, translated by Majid Mostafavi by Hamed Fardar, Hamid Dehghanpour

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