Thèses dans le domaine de l’image soutenues en France et en Espagne entre avril 2006 et juillet 2008 by Nancy Berthier

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Conflicting Images of Women in Hollywood 1930s Cinema by Raphaëlle Costa de Beauregard

“…L’étude de A Star is Born (William Wellman 1937), de son ‘remake’ par George Cukor (1954), et de la biographie de Frances Farmer : Frances (Graeme Clifford, 1982), permet de mettre en lumière l’image de la femme dans l’industrie hollywoodienne des années 20. …”
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Les Offices du cinéma scolaire et éducateur à l’épreuve des publics by Pascal Laborderie

“…In France, between the two World Wars, the Educational Cinema Offices built a network of teaching, education and propaganda using cinema. …”
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Léo Malet ou le roman noir américain made in France by Crystel Pinçonnat

“…During the German Occupation of France, the publisher Georges Ventillard, taking advantage of the craze for noir fiction and the banning of Anglo-American literature in France, launched the “Minuit” series. …”
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Une histoire oubliée : la genèse française du terme « film noir » dans les années 1930 et ses implications transnationales by Thomas Pillard

“…In the 1990s, North American and British scholars started to re-evaluate film noir and show that this genre was not exclusive to American cinema: in fact, Charles O’Brien revealed that the label “film noir” had first been used in France before the war to describe a group of French films that are more or less the same ones we now identify as “poetic realism”; he then went on to refer to a new tendency in post-World-War-II Hollywood cinema. …”
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Construire des salles de cinéma durant les Trente Glorieuses : le cas méconnu de l’architecte Georges Peynet by Andrés Avila Gómez

“…The study of this architect's career highlights the presence in France of an elite group of designers specialising in cinema architecture, unknown in architectural circles but widely recognised and in demand among cinema operators.As the leading French "cinema architect", Peynet has forged a career exclusively dedicated to the design of cinemas, contributing to the transformation of this architectural program.…”
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A imagem na pesquisa em psicologia social: um possível encontro da etnografia com o documentário cinematográfico by Gabriel Bueno, Andréa Vieira Zanella

“…A discussão da experiência vivida em ambos os processos dialoga com teóricos da antropologia, como José Magnani e Massimo Canevacci, e com a perspectiva de cinema documentário do teórico francês Jean-Louis Comolli e Eduardo Coutinho. …”
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