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    GIUSEPPE VERDI: UN BALLO IN MASCHERA by Júlia KÖPECZI KIRKÓSA

    Published 2011-06-01
    “…Due to strenuous political times, Verdi was compelled to change the setting of his opera and also alter the names of the characters in order not to create havoc for the entire art scene on Italy. …”
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    Vidas desperdiçadas? Uma análise de Estamira, de Marcos Prado, e No quarto de Vanda, de Pedro Costa by Mônica Horta Azeredo

    Published 2013-01-01
    “…However, when hoisted by the hands of filmmakers, they are transformed into characters of their own and make room for something that has always been historically denied to them: the speech. …”
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