OPERA AND FILM – AN UNLIKELY MARRIAGE by Julianna KÖPECZI

“… The aim of the following study is to analyze the manner in which opera music influenced film and became a crucial building block of certain cinematic narratives, in such films as Jonathan Demme’s Philadephia (USA, 1993), Luc Besson’s The Fifth Element (France, 1997) and Liliana Cavani’s Il portiere di note / The Night Porter (Italy, 1974). …”
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From Uncle Tom to Nat Turner: An Overview of Slavery in American Film, 1903-2016 by Melvyn Stokes

“…In the aftermath of World War II, a more critical view of slavery began to emerge on film. Yet slavery itself was not a popular theme with audiences, as demonstrated by the reception of Amistad (1997). …”
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Investigation about Electrorheological Squeeze Film Damper Applied to Active Control of Rotor Dynamic by Benjamin Pecheux, Olivier Bonneau, Jean Frêne

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La représentation des paysages d’exil dans les arts visuels contemporains : l’exemple du film Parmi nous de Clément Cogitore by Ann Epoudry

“…But it is also, and above all, an aesthetic invention (Roger, 1997) that directs and organises how the world is perceived. …”
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Oblicza wielokulturowości we współczesnej kinematografii Australii. Oswajanie inności w „Lucky Miles” Michaela Jamesa Rowlanda by Martyna Olszowska

“…Analizuje przede wszystkim pierwszy australijski film fabularny podejmujący kwestię nielegalnych uchodźców (tzw. boat people), Lucky Miles Michaela Jamesa Rowlanda, jako przykład jednej z dróg filmowego oswajania etnicznej i kulturowej inności. …”
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David Lynch’s Los Angeles: Control and Liberation through the Cinematic Image by Jakob Jurisch

“…Lynch’s cinematic outings, such as the neo-noir Lost Highway (1997), the acclaimed Hollywood fantasy Mulholland Drive (2001), and the experimental nightmare Inland Empire (2006), are all set in the heart of the film industry, in Los Angeles, and reveal his most ambitious vision yet: to examine the hierarchies of images in American pop-culture, providing a space in which dreams and nightmares routinely, yet subtly, intersect. …”
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The Primate Habituation Programme, Dzanga Sangha Protected Areas, Central African Republic: An overview by Terence Fuh Neba, Anna Feistner, Angelique Todd

“…The Primate Habituation Programme (PHP) was established in 1997 and plays a key role in DSPA’s conservation management strategy, generating significant revenue for the programme and tangible local community benefits. …”
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Diálogos sobre história oral: limites e possibilidades by Francisco Marcos Mendes Nogueira

“…A metodologia do minicurso buscou privilegiar a dialogicidade com base na discussão de texto pré-selecionados (Montenegro, 2003; Delgado, 2003; 2006; Alberti, 2007; 2014; Portelli, 1997; 2005; 2010; 2016), exibição do filme Narradores de Javé. …”
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