“A Made Up Thing” Full of Depth: The Queer Belonging of Robert Duncan and New Narrative by Robin Tremblay-McGaw

“…New Narrative writers turned from the mainstream’s devastating and violent image of gays and lesbians and the Language writers’ desire to jettison the subject from their own writing to Duncan and Jess [Collins] for the power and pleasures of the made up, fragmented, collaged – a material based relational art, a set of practices, performing queer belonging that looks back in order to move forward, that articulates “the history of our times” and the possibility of a future.…”
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Plotting a Path Forward: Towards a Supportive Graduate Writing Program by Keith O'Regan

“… Writing centres in Canada have an important role to play in aiding dissertation writers in the planning and composing of doctoral work. …”
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Ìgbélárugẹ Èdè: Akinwumi Isola’s Model for Promoting African Languages by Akinloye Ojo

“…Expectedly, the latter goal will exemplify the importance of indigenous languages to African writers. In pursuance of these dual goals, it is critical to highlight areas in which African writers, especially those writing in their native African languages, have endured to play crucial roles in promotion of African languages. …”
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THE OEDIPUS COMPLEX IN EUGENE O’NEILL’S DESIRE UNDER THE ELMS by Irwan Sumarsono, Abu Fanani, Ima Masofa

“…The writers got the main source of the data from the play, while the supporting data, the writers got from literary books, journals of English Literature, and the internet. …”
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Rimbaud’s influence on Jayne Anne Phillips: from Sweethearts to Shelter by Stéphanie Durrans

“…This paper explores the patterns of convergence that unite these two writers one century apart while aiming to provide a deeper and more meaningful appreciation of Phillips’ accomplishments in Shelter. …”
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The power of metaphor in thesis writing process by Hanić Jasmina, Pavlović Tanja, Jašić Alma Jahić

“…Their metaphor use is non-elicited and this rhetorical device is spontaneously used showing that thesis writers conceptualize their research and all it entails in metaphorical terms to a significant extent. …”
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COLLOCATIONAL PATTERNS AND SENSE RELATIONS IN THE EXPLICATION OF MEANING IN ARMAH’S NOVELS by GODWIN F. AKPAN

“… When literary writers write, they do so with the aim of conveying meaning. …”
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Początki życia ludzkiego w komentarzach patrystycznych by Roman Sala

“…The article “The Origins of the Human Life in Patristic Comments” tries to show the richness of thoughts and ideas presented by various writers in the early times of Christianity. Their views dealt with the prenatal stadium of a human being. …”
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Nigerian Translingualism: Negotiation and Desirability of Language in Nigerian Literature by Toyin Falola

“… The power to communicate effectively and the politics of language were over the years intertwined, compelling writers used foreign languages to reach a wider audience, make sense of our world, describe different worlds, and create other experiences. …”
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Excès et sacré dans la littérature victorienne et édouardienne by Annie Escuret

“…How did the most eminent Victorian writers manage to negotiate with the various representations of the « other » ? …”
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Écrire avec Flaubert by Anne Herschberg Pierrot

“…I am interested in the way in which many writers of the 20th and 21st centuries, from Kafka to Claude Simon, Roland Barthes, Pierre Michon, or Jean-Philippe Toussaint, have demonstrated in their writings, their correspondence, or their interviews, an interest in Flaubert’s manner of writing, based on their reading of Flaubert’s correspondence, or on direct or indirect knowledge of Flaubert’s manuscripts. …”
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La correspondance, espace de partage et lieu de repli : l’échange épistolaire entre Gustave Flaubert et Ernest Feydeau by Catherine Thomas-Ripault

“…However, very quickly the roles are distributed within the letters, and a game of influences is set up through which the writers try to assert their originality and use these friendly relations in a strategic way. …”
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French Beliefs: Walter Pater and Contemporary French Fiction by Bénédicte Coste

“…This article discusses Walter Pater’s reviews of contemporary French writings in British periodicals between 1886 and 1890 to show that the choice of periodicals, reviewed writings (novels, correspondence) obeys social and journalistic constraints of the mid to late 1880s when debates on morality and media campaigns mostly targeted avant-garde French literature and writers like Zola and Flaubert. However Pater proved adroit in reviewing both controversial writers and recognized authors such as Feuillet, Lemaître, Filon, Fabre, Amiel, subtly pitting both camps to make his own opinions more indefinite but more importantly considering the question of belief since all texts and authors discussed are notable for their confronting the question of belief. …”
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Existentialism through the Literary Images in the Short Stories of V. Pidmohylny and M. Yatskiv by Ihor Karivets, Andrii Kadykalo

“… This article analyses little-known short stories of modern Ukrainian writers Valerian Pidmohylny and Mykhailo Yatskiv in the context of the 20th century existentialism. …”
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Spectres photographiques : quand la photographie hante la littérature by Marie-Jeanne Zenetti

“…Besides, many writers, when confronted to grief and to the return of the departed, choose to write about or with photography. …”
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« A reality that almost amounts to illusion » by Martine Lambert-Charbonnier

“…Thus “behind the veil” the painter expresses his quest for harmony and fertility in the cosmos, a meaning decadent writers are keen to subvert to make the picture a symbol of corruption and passion.…”
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Al confine tra ufficialità e underground. Forme di istituzionalizzazione della ‘seconda cultura’ sovietica by Alice Bravin

“… From the second half of the 1970s, some organizations of unofficial and independent artists and writers were created in the Soviet Union, which were officially recognized by Soviet authorities: in 1976 in the Moscow City Committee of Graphic Artists a section of painting was set up that united non-formal artists who exhibited their works in the halls in Malaia Gruzinskaia street; in 1981 in Leningrad the literary club “Klub-81” was created, a unique organization of unsanctioned writers under the direct control of the KGB; in 1985 an alternative literary association, the “Klub Poeziia”, was also founded in Moscow. …”
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