Between Excess and Subtraction: Scenographic Violence in Howard Barker’s Found in the Ground by Lara Maleen Kipp

“…Thematically, the play is rife with violence, such as former Nuremberg judge Toonelhuis’ consumption of the remains of high-ranking Nazis he sentenced to death, the continuous burning of books and the retelling of various murders by the war criminal Knox. Found in the Ground re-visions the collective European memory of the Holocaust; this thematic violence is expanded and subverted by scenographic means, radically reimagining the historical context. …”
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An Examination of International Humanitarian Law of Armed Conflict: Perspective from the Legal Issues on War Crimes in Africa by NWALA Paul

“…Its extension to the protection of innocent civilians against their killings and subjection to inhuman or degrading treatments is of paramount to this study against the backdrop of violation of such provisions by war criminals, led to the birth of international humanitarian law. …”
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War crimes and spirituality: to prosecute or to forgive and reconcile by Goran Šimić

“…But no matter what, the question is whether war crimes trials and punishments for war criminals will eliminate the consequences of those crimes, allow the victims to free themselves from that victimhood, and societies at war to find peace and rebuild.…”
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Contextual Vulnerability Should Guide Fair Subject Selection in Xenotransplantation Clinical Trials by Gianna Strand

“…[xxvii]  The Nuremberg Code, Trials of War Criminals before the Nuremberg Military Tribunals under Control Council Law 2, no. 10: 181-2 (Washington, DC: U.S. …”
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