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Quand les studios dominaient le cinéma japonais au tournant des années soixante :un même répertoire au service de stratégies concurrentielles
Published 2018-01-01Subjects: Get full text
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Comment Hollywood figure l’intériorité dans les films « hollywoodiens » de David Lynch, Lost Highway (1997), Mulholland Dr. (2001) et Inland Empire (2006)
Published 2011-09-01“…Rather, Hollywood is a character, a presence, revealed as both horizontal and vertical, physical and abstract, evoking the city, the studio system, cinema and dreams, so that the satire, the visual motifs and clichés and the topography of Hollywood, and the references to Hollywood films, constitute a complex fabric of subjectivity and interiority.…”
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