Miradas cruzadas en la repatriación de saberes. El caso de las grabaciones rituales náayeri registradas por K. Th. Preuss by Margarita Valdovinos Alba

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Intertexte et réécriture du Drame de l’Homme, de la Femme et de Dieu dans 'Partage de midi' de Paul Claudel by Samuel Bidaud

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OPTIMIZATION FOR THE COVERAGE PROBLEM OF WIRELESS SENSOR NETWORK WITH VORONOI ALGORITHM IN 3D ENVIRONMENTS by Đặng Thanh Hải, Lê Trọng Vĩnh

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I Cavalieri erranti: il resoconto del viaggio della canzone anarchica, dalla storia all’inconscio collettivo by Alessio Lega 

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Demokrasinin Türküsünü Söylemek: Demokratik Değerler Bağlamında Neşet Ertaş Türkülerinin Söylemsel Analizi by Yusuf Çifci

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Patrick Dinslage, Edvard Grieg und seine Zeit, Laaber: Laaber 2018 by Ariane Jeßulat

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Invention et interprétation : chants de boisson et chants chamaniques chez les Suruí du Rondônia by Cédric Yvinec

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An imaginary without images? Tourists in (and out of) love by Olivier Lazzarotti

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LIM-kinase 1 effects on memory abilities and male courtship song in Drosophila depend on the neuronal type by A. V. Zhuravlev, E. S. Zalomaeva, E. S. Egozova, A. D. Emelin, V. V. Sokurova, E. A. Nikitina, E. V. Savvateeva-Popova

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The foxes that ruin the vineyards - a literal interpretation of Song of Songs 2:15 by S. Fischer

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STRUCTURAL METAPHOR OF LOVE IN ENGLISH SONGS IN THE LATE 20TH CENTURY FROM STYLISTIC AND COGNITIVE PERSPECTIVES by Nguyen Thi Hong Thu

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Drunkards and Singers: A Mongolian Battle of Sounds by Laurent Legrain

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FRAGMENTS OF THE SACRED: SACRAMENTALLY SUSTAINED IN TIMES OF UNCERTAINTY by E. Kloppers

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Versiones y reescritura en Cants d’Abelone, de Joan Vinyoli by Ferran Carbó

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A Hermeneutic Analysis of Selected Yorùbá Pentecostal Songs by George Olusola Ajibade

Subjects: “…Christianity, Dynamism, Identity, Yorùbá, Philosophy, Songs.…”
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Students’ perceptions of adopting songs for English online learning in Indonesian tertiary education by Eka Wulandari, Yuyun Putri Mandasari

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EXPRESSIONIST ECHOES IN “3 AUTUMN” SONGS BY DAN VOICULESCU - STRUCTURE, STYLE, LANGUAGE by Şerban MARCU

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Gender, Schaffensprozess und musikalische Analyse. Clara Schumanns Drei gemischte Chöre (1848) by Thomas Wozonig

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THE PSYCHOLOGICAL TRAUMA EXPRESSIONS OF CHILDREN LIVING IN THE NON-INTERGRITY FAMMILY THROUGH EMOTIONS AND FEELINGS REGARDING FAMILY AND SOCIAL LIFE by Huỳnh Văn Sơn, Nguyễn Thị Diễm My, Giang Thiên Vũ, Đặng Vũ Khoa

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Malaysia’s Warm Weather as a Metaphor by Wen Fen Beh, Florence Kuek

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