Comme une bitch ? Exploration des variations d’usage et de sens entre « bitch » et « chienne » en tant qu’insultes sexistes by Aure Espilondo

“…This possibility is assessed through a case study on the usage of “chienne” and “bitch” by three French female singers and rappers: Aya Nakamura, Tracy de Sá, and Liza Monet. …”
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The Sexed or Unsexed Voice on the Lyrical Stage in 18th-c. London by Pierre Dubois

“…Roger Freitas argues that in order to understand the predilection for castrato voices one need to take the erotic bodily dimension of the singers into account. The fascination exerted by this type of voices was closely linked to a contemporary conception of sexuality. …”
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Multiselfing in Music Education by Radio Cremata

“…This article categorizes them as the following: singers, instrumentalists, loopers, live performers, and hybrids. …”
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CONSTANŢA CRISTESCU: CONTRIBUTIONS TO THE VALORIFICATION OF THE MUSICAL TRADITION OF BANAT AND TRANSYLVANIA, MUSICAL PUBLISHING HOUSE, BUCHAREST, 2011 by Gabriela COCA

“…The other two studies of the first chapter present, using two novel manuscripts, two important personalities of the church teachers and singers of Arad from the end of the 19th century and the first part of the 20th century, Valeriu Magdu and Atanasie Lipovan. …”
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O KOM, O KOM, IMMANUEL – VENI, VENI EMMANUEL:

“…It shows that the hymn connects the current singers with believers in the past and is directed towards the future. …”
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USAGE OF COMPUTERISED MEANS IN VOCAL ASSESSMENT by Ana RUSU

“…This approach fully validates recent research in the field, proving that vocal training has a significant effect on human voice, and close follow-up of the subsequent development brings numerous benefits for both young singers and teachers. A relevant advantage of ICT use is represented by the precision in following-up of the vocal development process, creating also the possibility of organizing custom diagrams regarding the progress of vocal parameters. …”
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Cover it up! Visual euphemisation strategies for transforming non-religious songs into Islamic songs in music videos by Ikke Dewi Pratama, SF Luthfie Arguby Purnomo, Arina Rohmatika, Nestiani Hutami

“…The results of the study revealed that four visual elements were euphemized in these cover songs: the properties, costumes, locations, and interactions among the singers or models. Delving deeper into this, the researchers proposed four visual euphemization strategies, including peripheralization (euphemization of the properties), vestimentarization (euphemization of the costumes), locationalization (euphemization of the locations), and interactionalization (euphemization of the interactions). …”
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Does Frankie Go to Hollywood? From American influence to articulatory phonetics: the singing pronunciation of 1980s pop artists by Coline Caillol, Emmanuel Ferragne

“…Despite some variation, most singers realize a majority of their /t/ as a flap in sung productions, something that is not seen in their spoken productions. …”
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Linguistic problems of translating Indonesian popular lyrics of cover songs into English by Tira Nur Fitria

“…The document used is cover songs from several popular singers and bands such as Andmesh Kamaleng, Anneth, Budi Doremi, Nineball, and Christian Bautista. …”
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Fusion of Emotional Thinking and Mental Health of Students in Vocal Music Teaching by Qi Yang, Chao Yu

“…The purpose of this thesis is to explore the application of vocal psychology in vocal singing and teaching, to explain the generation and development of various psychological phenomena in singing activities, to reveal the role and significance of various psychological factors, to provide singers with a theoretical basis for psychological aspects, and to correctly understand the scientific laws of the inner psychology of vocal singing. …”
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Civil servants' activity regulation in Lithuania 1918-1940 by Jolanta Palidauskaitė, Milda Petrokaitė

“…Not only people with administering functions (real bureaucrats) but teachers, opera's singers, drivers, and others were considered as civil servants. …”
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Virtual choir as a kind of digital musical art by Xinbin Fu

“…In addition, singing in a virtual project slows down the development of empathy of singers, reduces their ability to recognize the conductor’s gestures and facial expressions. …”
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Karel Janeček − a leading figure in Czech Music Theory and Pedagogy: his theoretical writings from the 1930s and 1940s by Miloš Hons

“…His work as a teacher of players, singers, conductors, music directors and, most notably, composers served Janeček as an empirical testing ground for the premises, concepts, and systemic principles he came to formulate in his major books and essays. …”
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