El ave como cielo: la presencia del ave chan en las bandas celestes mayas by Rogelio Valencia Rivera, Daniel Salazar Lama

“…Due to the fact that some iconographic elements possess an inherent multivalued symbolic content (i.e. they are polysemic), sometimes the Maya painters or sculptors used writing to denote univocally the element they tried to represent. …”
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Le Désert comme scène de l’avoir lieu : Robert Smithson et Noah Purifoy by Antonia Rigaud

“…This article looks at the works of two American artists from the second half of the 20th century : Noah Purifoy and Robert Smithson. These two sculptors question the notion of place in very similar ways, erecting their sculptures in the desert. …”
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Comment l’exemple des cimetières-jardins interprète la mémoire funéraire québécoise by Manon Cornellier

“…The "industrialization of death" was slowly taking place, as tombstones were carved by professional sculptors, the iconography became more diversified and developed, new materials were becoming the norm and private companies specialized in funerals opened their doors. …”
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