SCREENPLAY COMPOSITIONS OF THE RUSSIAN ECONOMY by B. V. Аrtamonov, D. A. Pleskach

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Crossings: A Screenplay for the Eerste River by Saarah Jappie

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Actual Identification of a Screenplay as an Original Literary Form [Review on the Monograph by Natalia Nikoryak “The Authenticity of the Screenplay as a Modern Literary Text” (Chernivtsi, 2011)] by Yevheniy Vasilyev

“…Review on the Monograph by Natalia Nikoryak “The authenticity of the screenplay as a modern literary text” (Chernivtsi, 2011).…”
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Genre Features of Professional Screenplays in Russia in 1910s: Theory and Practice by A. G. Plotnikova

Subjects: “…screenplay…”
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Original Minority: The Screenplay Based on the Literary Text (“Intermezzo” by Serhii Parajanov) by Nataliia Nikoriak

“…A screenplay, being a new and objectively separate form of the modern art and at the same time a new type of text, takes an autonomous niche in the literary canon. …”
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Nigerian Film Industry and Screenplay Text: Historical and Linguo-Socio-Cultural Symbiosis by j. Baghana, Т. G. Voloshina

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Towards an archival study of screenplay versions: the role of screenwriting research for adaptation studies by Dagmar Brunow

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Ksenofontova, Alexandra (2020), The Modernist Screenplay: Experimental Writing for Silent Film. Cham: Palgrave Macmillan imprint / Springer Nature Switzerland. by Esbjörn Nyström

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Scenariusz filmowy i jego odmiany: Studium przedmiotu. by Marek Hendrykowski

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Les bribes de la mythologie scandinave dans le jeu vidéo Max Payne 1 : le scénario de l’écrivain Sami Antero Järvi by Ilias Boumdouha

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Fascynacje. Peter Brook* by IRENEUSZ CZOP

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Jestem twój by IRENEUSZ CZOP

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Borderline communities: aesthetic and authorial thresholds in the postcolonial script and film adaptations of Jhumpa Lahiri’s The Namesake by Rebecca Anastasi

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Vom Drehbuch zur Einfachen Sprache – Intralingualer Transfer der Emotionalität am Beispiel der Tragikomödie „Good Bye, Lenin!“ by Pavlína Soušková

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Screenwriting: A Strategy for the Improvement of Writing Instructional Practices by Hernán Amado

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Analysis of the Narration Time of Beyzayi Works Based on the Views of Gerard Genette A Case Study of the Play “The Eighth Voyage of Sinbad” and Screenplays of “Facing Mirrors” and “Reed Curtain” by Ali Khorashadi, Meghdad Javid Sabaghian

“…In this article, we try to examine 3 elliptical works including "The Eighth Voyage of Sindbad", "Reed Curtain" and "Facing Mirrors" from the perspective of narrative form. Elliptical screenplays are writings that are published before they can be made. …”
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A Study of the techniques of dramatizing narrative texts in Bahram Beyzaie's Adaptations of Shahnameh by Mohammad Sabri, akbar Shayanseresht

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The poem "Banović Strahinja" and its cinematic echoes: Presentation of moral heroism by Prnjat Aleksandar B.

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Ważyk – Ford – Starski. Historia pewnego scenariusza by Małgorzata Hendrykowska Małgorzata Hendrykowska

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Distinción entre textos de guion escritos por humanos y generados por IA: un estudio preliminar con estudiantes de Cine [Distinction between Screenplay Texts Written by Humans and Generated by AI: a Preliminary Study with Film Students] by Javier Luri Rodríguez, Elio Quiroga Rodríguez

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