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161
Cross-Gendering the Racial Memory
Published 2006-05-01“…Ironically, to index the greatness of the emerging nation, and the bigness of the male freedom fighters and founders, both figuratively and materially the female icon must be giganticized, making her a presence so massive as to become a queer she-male—masculine in size and intent, feminine in spirit and form. …”
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162
Improving the experience of health services for trans and gender-diverse young people and their families: an exploratory qualitative study
Published 2025-02-01“…Young people in the study identified as trans girls/women/femme, trans boys/men/masc, non-binary, gender-queer/fluid, androgyne, bi-gender. Parents had a wide range of views and experiences with healthcare providers (primary, mental health and specialist gender identity services). …”
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163
Exploitation Cinema and the Lesbian Imagination
Published 2016-07-01“…However, with the distance of time and the transformation of society, feminist audiences are reclaiming films whose quaint queers they can now enjoy not only as a trace of the past, but also as subversive characters they are seeing in a new light. …”
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164
Dancing Hands: On Neurodivergent Embodied Knowledge
Published 2025-02-01“…I argue that parallel to movements of “queering” public spaces that result in increasing safety for all gender identities, “cripping” spaces through adjusting them to neurodivergent needs can be beneficial to everyone in a competitive capitalist environment such as the art world: from education to art spaces and academia that host an increasing number of artistic researchers. …”
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165
Gênero e Lazer
Published 2025-02-01“…Concomitantemente indica a relevância e possibilidades para a produção científica de um campo complexo e com expressivo ineditismo sobretudo pelas lentes dos estudos queers. …”
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166
Imperialismo, ambigüedad y liberación. Sobre la construcción de la identidad política en Las aventuras de la China Iron (2017), de Gabriela Cabezón Cámara
Published 2024-06-01“… En Las aventuras de la China Iron, novela escrita por Gabriela Cabezón Cámara, la identidad política del personaje principal —relacionado en la tradición cultural argentina con la figura tópica de Martín Fierro y resignificado según parámetros contemporáneos ecofeministas y queers— se presenta a partir de su autodescubrimiento en etapas, simbolizado en la incursión, en la exploración y en el encuentro progresivo con la Pampa enigmática. …”
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