Sédu* dans le Théâtre-Italien by Étienne Jardin

“…The present article looks at the overall use of these terms in the body of work collected by Jean Mongrédien (their frequency, definition of the terms and the objects they qualify), followed by an investigation of three major themes that emerge from this analysis: seduction’s role in the printed programs of the works played at the Théâtre-Italien, the musicians’ seduction, and that of the music.…”
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