Female Offenders at the Confluence of Medical and Penal Discourses: Towards a Gender-Specific Criminology (1860s-1920s) by Alice Bonzom

“…Criminology was born. This polyphonic discourse incorporated many disciplines such as biology, psychiatry, anthropology and social science. …”
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Kombination und Rekombination in der Renaissance by Immanuel Ott

“…Such works can be distinguished by two fundamentally different compositional approaches, each of which entails its own problems: On the one hand there are compositions based on additive processes and contrapuntally sophisticated structures such as canons, on the other hand there are those in which a usually polyphonic model is fragmented and its components are recombined into a new composition. …”
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Ultrasonographic evaluation of the thorax in dogs with tick paralysis by Erdem Gülersoy, Canberk Balıkçı, İsmail Günal, Adem Şahan, Esma Kısmet

“…Expiratory dyspnea with sinus tachycardia; fine crackles, polyphonic wheezing, and pleural rub on lung auscultation were observed in the tick–paralyzed dogs. …”
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Verfahren der Modusdarstellung in Gioseffo Zarlinos Musici quinque vocum moduli by Roman Lüttin

“…An analysis of three motets reveals procedures and models that Zarlino uses to represent and sonically establish a mode in a polyphonic composition. Zarlino’s compositional procedures, as identified here, can help clarify the central concepts of his later treatise Istitutioni harmoniche from 1558.…”
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“Kyrie paschale” in Polish Organ Tablatures from the First Half of the 16th Century – Problems of Style and Attribution by Grzegorz Kos

“…They skilfully modified the form of the original vocal model and its later arrangements, showing confidence and skill in altering their polyphonic structure and moulding a new – in spirit – instrumental melody. …”
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Josquin’s Motet “In amara crucis ara” in the Green Codex of Viadrina by Wojciech Odoj

“…In MS I F 428, Josquin’s motet was written down after two groups of settings: Officium de Cruce (In nomine Jesu omne genu flectatur caelestium) by Loyset Compère and a polyphonic setting of the Improperia. Some characteristics suggest that these compositions – the two groups of settings plus Josquin’s motet – may have been placed here together because they were considered mutually complementary, all having Good Friday as their subject. …”
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Laguna de fracasos by Lagunaries

“…We perform theories, we investigate modes of escaping the lineal narrativity, using polyphonic and choral forms of thinking / moving / saying / existing. …”
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PHILOSOPHY OF EDUCATION AND THE STATUS OF THE WOMAN IN SOCIETY OF THE XVIII CENTURY by Olha P. Vlasova, Nataliia P. Kostyuk

“…The scientific novelty lies in constructing a more complete polyphonical picture of the sociocultural life in the epoch of the Enlightenment in rejecting the “one-sex” interpretation of the philosophy and culture of that period in assuring that there were two subjects in the Enlightenment history and culture-representatives of both sexes. …”
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