The Print and Digital Editions of Lyn Hejinian’s My Life by Chloé Thomas

“…This paper considers the various versions of My Life and describes their effects on scholarly and pedagogical work on the text, as well as on its position in the American poetic canon. It eventually suggests further ways of editing My Life digitally, focusing on the openness and paratactic construction of the text.…”
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L’Italie au miroir : bilinguisme et auto-traduction dans la poésie de Christina Rossetti by Mélody Enjoubault

“…This article, through the detailed analysis of the series Il Rosseggiar dell' Oriente and of Rossetti’s translations of her own nursery rhymes gathered under the title Ninna-Nanna, aims at studying the complex relationships between ‘the same’ and ‘the other’ caused by these poems written in a language at once foreign and familiar, as well as focusing on the way the presence of otherness is eventually reintegrated by the poetical text.…”
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Jeremiah 31:31-34: A prospect of true transformation by M.D. Terblanche

“…This article considers the contrast between the new covenant pericope and the poetic doom oracles and the prose discourses in the book of Jeremiah. …”
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L’espace en poésie – poésie de l’espace : les Fireside Poets by Michel Barrucand

“…The discovery of American space and its impressive size is best expressed through poetical visions. From the beginning, poets have described their environment, following colonial expansion and the progressive settlement of continuous waves of immigration. …”
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Wilde’s French Salomé by Emily Eells

“…A study of the manuscript versions of his play reveals his limited knowledge of French, though this paper interprets the mistakes as key to his poetic achievement. Wilde’s play is untranslatable: both the illustrator Aubrey Beardsley and the composer Richard Strauss recognized the quintessential French quality of the script, and respected it in their creative translations into another artistic genre.…”
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Fundamental Education: UNESCO and American Post-War Modernism by Matthew Chambers

“…This article examines how the impact of modernism’s reception dominated post-war poetic discourse, and in turn, how the intersection of literary and political interests in the late 1940s resulted in an education platform with a global reach and implications, mainly in the form of non-governmental organizations (NGOs), and most notably in the shaping of UNESCO. …”
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« The Enduring End » by Andria Pancrazi

“…Algernon Swinburne’s poetical work is autopoietic — the poet elaborates his art as a self-contained, circular system that feeds itself and articulates around itself. …”
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De la violence au cadavre : étude d’une mort genrée by Anaelle Lahaeye

“…In 1856 Allan Edgar Poe wrote: “The death of a beautiful woman is, unquestionably, the most poetical topic in the world”. Although this statement may seem strange nowadays, it attests the high regard in which the motif of a beautiful dead woman was held. …”
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Kristus ukřižovaný na palmě, „locus tristis“ a emblematika 17. století by Pavel Panoch

“…The motif was transformed during the Early Baroque Era to a poetical picture and during the first half of the 17th Century it has been applied in several Emblem books encluding enormously favourite and influential treatise Pia desideria written by Jesuit Herman Hugo and edited in Antwerp in 1624. …”
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Twin Peaks, ou l’exploration de l’espace américain by Zachary Baqué

“…The aim of this article is to show that there are three major ways of representing the American territory onscreen, which all have a specific aesthetic function (poetic, realistic and metafilmic). Thus American space is first understood as a semiotic entity, then as a human creation and finally as a crux in which pre-existing fictions converge to become myths. …”
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Gathering and Scattering Emily Dickinson’s Poetry by Antoine Cazé

“…The composition of Emily Dickinson’s poetic work has implied many stages of unbinding and rebinding her poems, from her own self-publishing practices (the now famous “fascicles”), through three editions of her Complete Poems (Johnson 1955, Franklin 1998, Miller 2016, all published by Harvard University Press) up to the recent uploading of her manuscripts as electronic archives on the Internet. …”
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Poemas entre músicas: dialogia melopoética e(m) uma didática contemporânea by Robson Coelho Tinoco, Marília de Alexandria

“…Under the dialogical notion of a given poetic-musical language can be structured a didactic process with activities that best relate literature and music (popular and classical). …”
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The Modernist Poem or the Infinite Prolegomena by Aurore Clavier

“…Refusing its own closure, the page of the poem, through the fluctuations of its contours and the engagements it stages, joins the tentative field of the essay, thereby abolishing generic categories as much as the Platonic scission between philosophical and poetical words.…”
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‘Je n’ai rien à dire. Seulement à montrer’ : le travail photographique et poétique de Natalie Czech by Vanessa Desclaux

“…For several years Czech has invited spectators to share her affection for the poetic texts that she appropriates. Departing from these poems she invents visual devices through which she can produce new texts and new images in the context of her photographic work. …”
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“Tratado” e Exercício de ser criança: a infância entre versos, rimas e tintas by Penha Lucilda de Souza Silvestre, Alice Áurea Penteado Martha

“…In this sense , our objective is to perform a journey through the poetic universe from the reading of the texts Exercício de ser criança (1999), by Manoel de Barros, and Um pequeno tratado de brinquedos para meninos quietos (2009), by Selma Maria Kuasne, associating the m to the paintings by Candido Portinari, ‘Boys flying kites’ (1932), ‘Children playing’ (1938) and ‘Boys playing’ (1955). …”
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De l’avoir lieu à l’être-lieu : parcours dans l’œuvre de Dorothy Cross by Valérie Morisson

“…They challenge anthropocentrism in a poetic manner. By staging the sudden appearance of an archaic bestiality embodied by the shark, the jellyfish or the snake, animals both wild and culturally significant, and by immersing in wild settings, the artist creates spatial reversals. …”
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The linguistic, conceptual, and pragmatic challenges of communicating Galatians 3:1-14 in Chewa by Ernst Wendland

“…This forms the basis, in turn, for a comparative analysis of how this passage has been translated into Chewa in an old missionary-produced version (1922) in contrast to a more recent meaning-centered rendering (1998) as well as a special oral-poetic translation that was prepared as part of this study. …”
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A critical assessment of John Milbank's Christology by N. Vorster

“…In order to maintain his non-violent and poetic ontological position, Milbank needs to revert to a general, “high” and impersonal Christology, and disregard “low” Christology. …”
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Eudora Welty: Sensing the Particular, Revealing the Universal in Her Southern World  by Pearl McHaney

“…Eudora Welty writes poetic prose that is painted with colors—red, rose, blue, green, silver, black, white, pearly gray, golden-yellow, rich in figurative language, and resplendent in sensory images and synaesthesia. …”
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« A Woman’s Answer » : Adelaide Procter et la poésie face au genre by Fabienne Moine

“…Converted to Catholicism in 1851, Procter, as a Tractarian, uses her poetry, both religious and feminist, as a weapon against the construction of political and poetical patterns. Being Anglo-Catholic, she can create a feminine and autonomous space from where she gives her own interpretations and turns away from official discourses.…”
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