O sujeito reconstruído: sobre algumas imagens mallarmaicas na obra de Alejandra Pizarnik by Sérgio Bento

“…However, it is noted, simultaneously, an extreme shift in the behavior of the poetic subject of the Argentinian writer, who - instead of vanishing in the self-referent significant theater - as in Mallarmé ́s -, gets in fl ated and turns the external world into her extension. …”
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Amour et poésie dans La tumba de Antígona de María Zambrano by Margherita Camozzi

“…The logos of this Antigone is singular, not rational. His Word is a Poetic Word and at the same time, in his aspiration to transcendence, she speaks a philosophical logos. …”
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Literatura de cordel e migração nordestina: tradição e deslocamento by Luciany Aparecida Alves Santos

“…We analyze how these migratory movements influenced the poetic writing of the authors involved in such movements, and their consequences on the theoretical discussions on cordel literature.…”
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« Le cadavre est à terre et l’idée est debout » : le souffle communard sur la scène contemporaine by Nathalie Coutelet

“…The « Commune » remains a fruitful source of inspiration for many contemporary shows, less to celebrate history than to transpose the communard utopia into our current events or to glorify this popular and poetic impetus. Music and song thus hold a central place there, in order to appeal to the collective memories and to make this communard spirit sensitive. …”
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Floresta de símbolos: bicho e poesia para crianças e adultos inteligentes by Augusto Rodrigues da Silva Junior

“…The framework is the poetic creation of Manuel Bandeira for a comparison between the works Arca de Noé, by Vinícius de Moraes, and Rimas da floresta, by José Santos. …”
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(Et il la regardait.) Un destin entre parenthèses by Jean-Marie Privat

“…To conclude, this contribution emphasizes the topic dimension (not only temporal) of the parenthetical device and its poetic affinities with the “auratic”.…”
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« Somnambulisme », ou l’après-coup de la métaphore by Marc Amfreville

“…The representation of what the eighteenth century viewed as a serious mental illness for all its poetical associations ends up shattering any chronological conception of knowledge, and thus confirms the commonness of literary and Freudian intuitions on the Unconscious, but also sheds light on doubling, splitting and ambivalence.…”
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Of Exile in America: The Immigrant Experience in “American Land” (2006) and “The Ghost of Tom Joad” (1995) by Bruce Springsteen by Khaled Chouana

“…The paper examines the aesthetic and poetic aspects of the two ballads. “American Land” tells the story of a new immigrant who settles in America and portrays it as a Promised Land. …”
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La (re)conversion chrétienne d’Angélica Liddell : une expérience capitale aux répercussions théoriques et esthétiques by Adeline Chainais

“…This study examines the different steps of this conversion and the repercussions of this spiritual process on Angélica Liddell's conception of theatre and on her various poetic and theatrical creations.…”
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Outras vozes da política: memória e imaginação by José Luiz Bica de Mélo

“…The text aims to present the relation between reason and sensibility through a brief path of literary and poetic reflection, trying to think about the nexus between politics and imagination. …”
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Juhan Liiv’s Comprehension of Poetry by Tanar Kirs

“…In this article, I am showing that Liiv’s comprehension of poetry is closely tied to German poetic culture. These connections arise from Liiv’s essays, which have not been studied so far. …”
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“Cut Prose”? The Sentence and the Line in Marianne Moore’s Poetry by Aurore Clavier

“…This article seeks to examine Marianne Moore’s line breaks and the formal tensions they reveal or even create between the grammatical sentence and the poetical line. While the poet is commonly associated with the most radical and idiosyncratic verse patterns, from her earliest modernist experiments to her signature use of syllabic verse, her work is also marked by a less conspicuous, but equally thorough pull toward the continuity of prose, a genre she was consistently drawn to. …”
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Le uersus aureus comme structure annulaire by Antoine Foucher

“…In fact, the aesthetics of roundness or circularity are at the heart of the poetic project of certain poets of the Neronian period, Calpurnius Siculus in particular, and seem to correspond to certain dominant features of architecture of this time. …”
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David Antin : le poème, archive du monde contemporain by Hélène Aji

“…These reconfigurations are indexed to the contingency of place and time, both in historiographic and in poetic terms : they evidence the dynamics of the archive as distinct from the reactionary collection defined by Walter Benjamin and open the path to a thinking mode that crystallizes Urphänomene to address the present in ways that have been described by Hannah Arendt.…”
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Castil-Blaze troubadour by Séverine Féron

“…A forerunner of the Félibrige, he never ceased to claim his cultural singularity by writing, collecting and publishing Provençal repertoire, both poetic and musical. While Castil-Blaze's Parisian production and career are relatively well known, its Provençal corpus and roots have received very little attention. …”
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Walt Whitman, passant moderne by Eric Athenot

“…Starting from an analysis of Whitman’s departure from the Romantic poets’ approach to the urban environment it charts the poems’ progress through various cities and examines the poet’s susceptibility to the language of the working men of Manhattan as the catalyst of his poetic revolution. Elaborating on Baudelaire’s flâneur, the paper finally discusses Whitman’s concept of modernity through an evocation of Manhattan—the city of which the persona of "Song of Myself” proudly calls himself the son—as the idealised territory of a textual democracy in which the reader is made the poet’s equal through an erotics of reading that owes everything to this poetry’s urban origins.…”
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« Is that wool hat my hat ? » by Hélène Aji

“…As poets aspire to a visual poem, opt for abstraction or radically decide to suppress the representational from the poem, images, as raw material for the poetic or as vehicles for meaning, are replaced with structures that question our modes of apprehending language and the discourses that constitute our modes of being in language.…”
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‘I’m grown a man no doubt, I’ve broken bounds’—Robert Browning Crossing the Limits of Poetry by Jean-Charles Perquin

“…This paper will focus on Robert Browning’s poetic writings, and especially on the way his poems were a constant crossroads of formal choices, from his very first publications to his last poem. …”
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« Les Arcadies de Sir Philip Sidney et de Tom Stoppard » by Anne-Valérie Dulac

“…From Sidley Park to Kalander and Basilius’s houses, Arcadian country-houses convey both a poetic potential and a political reflexion on their foundations. …”
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Divine darkness in the human discourses of Job by N. F. Schmidt, P. J. Nel

“… The Biblical Hebrew text of Job narrates and debates the suffering of an innocent person from various perspectives. The poetic dialogues and discourses between Job and his friends emphasise their experiences of “darkness” (? …”
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