تقنيات السير الذاتي في " تقرير إلى غريكو "لـ نيكوس كازانتزاكيس أنموذجا by Feghrour Hala

“…His methods result in a poetic autobiography distinct from classical approaches. …”
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ANNALYTICAL BENCHMARKS IN THE WORK “ON A SUN DIAL II” FOR CLARINET B FLAT AND RECITER BY PETRU STOIANOV by Cristian BENCE-MUK

“…We remark a tight connection between music and the poetic text, both from the point of view of artistic atmosphere and from the perspective of the annalogies and symbols it highlights, unveiling, at the same time, the profound meanings of the literary text. …”
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Voices in the Machine: Class, Subjectivity and Desire in Victorian Women’s Factory Poems by Fabienne Moine

“…This paper aims to explore how industrial culture shaped the poetical imaginary of Victorian women. We often fail to consider that not all factory poems spring from the minds of middle and upper-class reform-minded authors. …”
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تقنيات السير الذاتي في " تقرير إلى غريكو "لـ نيكوس كازانتزاكيس أنموذجا by Feghrour Hala

“…His methods result in a poetic autobiography distinct from classical approaches. …”
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Écrire « au nom de l’Abeille, du Papillon et de la Brise » : figures animalières et paysagères dans les écrits d’Emily Dickinson. by Estève Marie

“…The article studies how animal figures are introduced in a few early poems and in the beginning of the first fascicle to encompass their relating to XIXth context and to the poetic project to write from within the tradition of lyricism while transforming traditional animal tropes, thanks to the circulation of voices and the passing of the poetic wording (and worlding) to relaying animal and other landscape figures.…”
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Ludisme et allusion dans l’étymologie poétique latine by Cécile Margelidon

“…What are the characteristic features of etymological ludism in its poetic singularities? Of Latin etymological ludism in particular, in its relationships with Greek?…”
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The Reserve of Poetry by Geneviève Cohen-Cheminet

“…Discovering Lorine Niedecker’s challenging poetic series means experiencing a form of combined reading-viewing of her writing on an erased central image. …”
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Le monde Gothique de Le Fanu : cryptonymes et mots étrangers by Christine Berthin

“…More than a genre, the Gothic is a poetic subversion of the Symbolic. Foreign words and foreign names are an essential part of this poetic: their function is not denotative, and they do not contribute to surface meaning. …”
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De la petite chanson aux rafales du vent : le parcours de la ritournelle dans l’œuvre poétique d’Emily Brontë by Charlotte Borie

“…This little song is to be found in Emily Brontë’s poetry, repeating itself, evolving, up until its essence is finally endorsed by the voice of the wind which woos the poet into a poetic transe. The incantatory resurgence of the ritornello punctuates the poetic mind’s trip from fancy to imagination, along which the idea of return applies less to the memory than to the repressed.…”
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BREVILOQUENZA COMPONISTICA - ROBERT SCHUMANN AND FRAUENLIEBE UND LEBEN (PART V) by Claudia POP

“…Driven by the success in singing these lieder by Robert Schumann I decided to behave like a true pedagogue and delimit into the entire study (which contains eight parts), three very important things necessary to approach this genre: • to present the poetic content that harmoniously combines the poetry with the precise notes entered; • to develop sensitivity, understanding of the poetic text; • to introduce some voice technical means necessary to approach these lieder. …”
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Coda: The Open by Michael Palmer

“…This journey through the poetic countercultures of the whole second half of the 20th century practices what it preaches. …”
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THE PHENOMENON OF “SIMULACRUM” IN THE WORKS OF TITUS LUCRETIUS CARUS by Mariia A. Oleshchenko

“…It was illustrated by the author of article, that the poetic work "On the Nature of Things", not just a poetry, but also deep philosophy and naturalistic system. …”
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The Influence of Shakespearean Theatricality on Emily Dickinson’s Lyrical Self by Adeline Chevrier-Bosseau

“…This article also tries to show how Dickinson appropriated elements of Shakespearean theatricality in her poetic work. Bearing in mind John Stuart Mill’s conception of the lyric as a genre that can only be “overheard”, and the many studies that represent Dickinson as “turning her back” on her readers, we also examine the relations between the poetic voice and her audience.…”
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THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH by Gabriela Coca

“…The synthesis of the analysis of this study presents conclusive, the full text of its historical datas, the dramaturgy of the form, the power centers, the relevance of the power centers in the poetic text, the dramaturgical dosing of the poetic text, the dramaturgy of the tonalities, the dramaturgy of the instruments using, and aspects of the illustrative program in music. …”
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Po drugiej stronie słowa: granice języka, który nie jest granicą świata by Bogusław Jasiński

“…The understanding of words, especially poetic ones, but also of all artistic forms, is conditioned by a specific system of language in which not only syntagmatic-declension relations are defined but also those that constitute the semantics itself. …”
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ReMetCa: A Proposal for Integrating RDBMS and TEI-Verse by Elena González-Blanco, José Luis Rodríguez

“…ReMetCa is based on the combination of traditional metrical and poetic studies (rhythm and rhyme patterns) with digital humanities technology, TEI-XML integrated into a Relational Database Management System (RDBMS) through an XMLType field, thus opening up the possibility of launching simultaneous searches and queries by using a searchable, user-friendly interface. …”
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Unsettling postscripts and epilogues in A. S. Byatt’s Possession and Ian McEwan’s Atonement by Armelle Parey

“…In order to fully appreciate the means and effects of the dissonance established by the final textual section of these novels, this paper first looks at postscripts and epilogues as unlikely places for disruption before considering how the final dissonance affects the sense of poetic justice previously reached. Finally, the paper examines how this last-minute reversal (or confirmation) of poetic justice is linked to the powerful figure of the storyteller.…”
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Des hauts plateaux aux oasis : La chanson saharienne by Abdelhafid Hamdi-Cherif

“…Considered all too often as minor despite a rich repertoire and the quality of its performers,the aiyai is a musical genre in its own right, or rather a musical-poetic mix, based as much on its poetic texts as on its musical reflection of the nomadic lifestyle and the constant movement across the steppe, from oasis to oasis. …”
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Taming Eschatology: The Case of Silja Walter OSB by Bernard Łukasz Sawicki, Chiara Tacchinardi

“…This effect is possible thanks to the original use of poetic language. …”
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The Harmony of Meter and Emotion in the Odes of Anvari Abivardi (With a Look at the Poems of His Master, Abol Faraj Runi) by Maryam Khalili Jahantigh, Mohammad Barani, Leila Shakibaei

“…This, even, prevents him from imitating a leading poet, Abol Faraj Runi, in changing his poetic style. Abul Faraj's intellectual horizon only appears in the domain of eulogy and personal gain; however, Anvari is not indifferent to social issues and events. …”
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