பெரியபுராணத்தில் நாயன்மார்களின் பண்பாட்டு மரபுகள் / Cultural Traditions of the Nayanmars in Periyapuranam... by முனைவர் க. முத்துமாரியம்மாள் / Dr. K. Muthumariammal

“…Hence, the contribution of the Nayanmars to the history of Tamil epic literature is invaluable. These saint-poets not only attained divine realization themselves but also imparted their spiritual insights to fellow devotees and Tamil society. …”
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The Transition from Song to Poetry in Latvian Literature in the Second Half of the 19th Century by Māra Grudule

“…As the level of education among Latvians was low and most information spread by word of mouth, the German pastors and the first generation of Latvian poets made use of ziņges as an informative tool. …”
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Extremes of the Avant-garde: H.D. and Rae Armantrout by Natalia Carbajosa

“…Partant d’une analyse du couple conceptuel modernisme/postmodernisme, cet article confronte de manière inédite H.D. et Rae Armantrout, deux poètes des extrêmes, au sens où elles s’inscrivent à la marge, respectivement dans les avant-gardes du début des XXe et XXIe siècles, dessinant ainsi les frontières temporelles de la tradition poétique moderniste américaine. …”
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Unsaying: Mystical Aspiration and Negativity in Paul Auster’s Poetry by François Hugonnier

“…Esclave de la temporalité et d’un vocable étouffant, le poète s’exile dans le langage et se heurte aux murs de l’indicible. …”
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MARTIN HEIDEGGER’S METAPHYSICAL QUESTION 1935-1937: GENESIS AND CONSEQUENCES. PART ONE by Юрій МАРИНЧУК

“…The second plan of the stated metaphysics is considered, on the one hand, from the position of poets and oracles, as those who express themselves historically, and, on the other hand, from the inner basis of thinking. …”
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The Semantics of the Absurd: On German ‘Hermetic’ Poetry and Political Commitment after 1945 by Marko Pajević

“…This paper demonstrates how poets made a unique and highly significant contribution to the development of a new political awareness in Germanlanguage culture. …”
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"The / profile of a city / exploding": Frank O’Hara’s Aesthetics of Shock by Olivier Brossard

“…A partir du début des années soixante, O’Hara écrit des poèmes baptisés "For Your Information Poems", dans lesquels l’esthétique du choc porte non plus seulement sur le récit d’une journée en ville mais affecte la grammaire et la structure même du texte: le poète aère ses poèmes, précipite les mots les uns contre les autres et forme de nouveaux agrégats. …”
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Public security in the pre-classical political and legal thought of ancient Greece by Y. O. Zahumenna

“…An analysis of the views of ancient Greek authors (poets, philosophers, historians, lawyers) who are representatives of socio-philosophical and political legal thought of the period against the background of widespread collective ideas about security as a state of social relations, the condition of human (social) life and / or unique social value, objects (spheres) of this security, as well as subjects and regulatory mechanisms to ensure the appropriate state of society and the state is presented. …”
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"In the Hills on my own": 20th Century Scottish Poetry, the Writing of Perception by Stéphanie Noirard

“…Autant de questions qui seront soulevées à travers l’étude de poètes de culture aussi divergente que Norman MacCaig, Iain Crichton Smith, Sorley MacLean ou George Bruce et qui permettront une tentative de définition du rôle que peut jouer la montagne dans la conception d’une nouvelle esthétique poétique de la perception…”
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City of Wars: the Representation of Wartime London in Two Novels of the 1940s: James Hanley’s No Directions and Patrick Hamilton’s The Slaves of Solitude by Jean-Christophe Murat

“…No Directions entretient des liens assez forts avec la rhétorique et les images—alors à très la mode—des Poètes de la Nouvelle Apocalypse (New Apocalyptic poetry) ; l’expérimentation formelle et linguistique y est donc omniprésente, frisant même l’artificiel par endroits. …”
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Al-Takrar Fii Daw'i Al-Dirasat Al-Uslubiyah Al-Haditsah by Aiyub Berdan

“…The phenomenon of repetition is an expressive device used by poets and writers to generate meaning and create rhythm, which is central to the poetic nature of their works. …”
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