(Women Writing) The Modernist Line by Cristanne Miller

“…Of the five English-language poets who experimented most radically with the poetic line in the 1910s, four were women: Mina Loy, H.D., Marianne Moore, and to a lesser extent Gertrude Stein, since she rejected the poetic line altogether in Tender Buttons. …”
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The Feminine Figures of the Kingis Quair:Literary and Historical Metamorphoses by Blaise Douglas

“…Cela semble particulièrement vrai si l’on compare la bien-aimée du poète et l’Emilie du Conte du chevalier de Chaucer, la déesse Fortune du makar écossais et celle des Consolations de la philosophie de Boèce. …”
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Balaghah Ar-Ritsa’ Fii Syair Al-Khanasa’ Min Nihayah Al-Lafdhi Wa Al-Ma’ani by Sumardi Sumardi, Ivan Aulia Trisnady, Zulkhairi Sofyan

“…وتتكرر الكلمات في شعرها للتأكيد على الشعر، وأفكارها تبكي على أخويها (صخر ومعاوية) وتبكي على أخيها صخر. One of the Muslim poets, companions, believers, and patient mothers is Al-Khansa. …”
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Pasolini et la poétique du déplacement by Anne-Violaine Houcke

“…Pasolini met ainsi en œuvre une véritable poétique du déplacement, qui, à partir du déplacement géographique et, par la pratique de l’analogie, conduit à la réalisation d’une œuvre « déplacée », intempestive, qui vise à déplacer le spectateur. « Poète civil », comme le définissait Alberto Moravia, Pasolini fait du poétique le lieu du politique.…”
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La Représentation de la montagne dans la littérature anglaise d’inspiration religieuse au XVIIe siècle by Jean-Louis Breteau

“…So do the English metaphysical poets, in particular George Herbert and John Donne, as well as the puritan author of The Pilgrim’s Progress…”
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Yeats et le mélange des genres : du texte à la scène by Pierre Longuenesse

“…In the « Theatre of Imagination » conceived by Yeats in the 1890s, the poetic Verb is given the power of creating visions through the concrete physicality of its uttering by the performing body of what Georges Banu will later call an « acteur-poète ». This project transforms dramatic writing process into the creation of a multiform object, in which the issue of the drama is brought out by the tension between opposite medium : theatre on the one hand, singing, dance, tale on the other hand… This exploration involves Yeats into original collaborations on stage with composers, musicians, and dancers. …”
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Le récit mythique d’une conversion : La Argentina à l’Athénée de Madrid by Hélène Frison

“…That evening, while she performed at the Athenaeum in Madrid in front of "intellectuals, painters, writers, poets, musicians," a double shift took place: while the spectators experienced a kind of epiphany of the dance, she became aware of what her priesthood would be from then on - to embody "the spirit of the Spanish dance". …”
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“Travelling in the Family”: Elizabeth Bishop’s Brazilian Autobiographical Voice by Myriam Bellehigue

“…Oblivion strikes as the “vivid force” that shapes most of these autobiographical works and pushes both poets to explore their childhood “tropisms,” that is to say, according to Sarraute’s definition, micro-movements, intimate dramas that affect the child’s subconscious and that the adult tries to grasp at years later through uncertain language. …”
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Reception of Penelope’s Character in 20th Century Poetry: Female Modernism and Latvian Writer Aspazija by Dina Eiduka

“…It specifically examines the utilisation of Penelope in the poetry of modernist poets, particularly those associated with the category of Female Modernism (as proposed by Jane Dowson in her work “Women, Modernism and British Poetry, 1910–1939: Resisting Femininity” (2002)), with a particular focus on the works of the Latvian author Aspazija. …”
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L’Italie au miroir : bilinguisme et auto-traduction dans la poésie de Christina Rossetti by Mélody Enjoubault

“…Christina Rossetti, known as one of the greatest British poets of the 19th century, also wrote poems in Italian, the language of her origins. …”
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THE RENAISSANCE FRENCH PSALTER. (THE ROMANIAN VERSIFICATION OF THE PSALMS WITH HUGUENOT MELODIES. ON THE OCCASION OF CELEBRATING THE 450th ANNIVERSARY OF THE FIRST FRENCH PSALTER,... by Anamaria Mădălina HOTORAN

“…Celebrating 450 years since the first French Psalter (Le Psautier français) at Geneva (1562), the book represents the second Romanian version of the French Psalter, after the Psalter published in 1673 by Dosoftei, Bishop of Moldavia and it is the result of the work of 18 composers and poets and 13 scientific referents from Romania, France, Germany and USA, under the coordination of  Mircea Valeriu Diaconescu (composer, Germany), Ştefan Bratosin (Univ. …”
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«The cavalry rushes, and in battle campaigns the tank rushes along with the war horse»: cavalry romance in Soviet songs on eve of the Great Patriotic War by A. V. Rychkov

“…According to the author, the songs about cavalry written by talented poets and composers were loved by the people and became the most important means of military-patriotic education of Soviet people, making a significant contribution to the Great Victory…”
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Код-«мусор» – кривой почерк – опечатка: несовершенство как литературный приём в цифровой эре by Ellen Rutten

“…With the help of existing scholarship, in this article, I will study and compare the writings of three Russian poets/artists: Vera Khlebnikova, Vera Pavlova, and Linor Goralik. …”
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Tension in Modernist Art and Lyric Poetry at the Beginning of the 20th Century in Estonian Culture: Ernst Enno and Others by Anneli Mihkelev

“…At the same time there were poets who wrote original poems that did not imitate previous work. …”
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Over Hill and Dale in the Border Ballads by Roland Bouyssou

“…Les Border Ballads procèdent d’un art oral qui rassemble les talents du conteur, du poète, du musicien et du chanteur. Elles sont l’œuvre de communautés aux confins montagneux de l’Angleterre et de l’Écosse, qui leur ont donné naissance et les ont maintenues vivantes en les renouvelant. …”
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« A Woman’s Answer » : Adelaide Procter et la poésie face au genre by Fabienne Moine

“…To avoid being trapped in the fury of feminist claims and to spurn the traditional gender ideology, some Victorian women poets take up a third discourse, ambiguous and protean. …”
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Transatlantic Crossroads: Ezra Pound’s 1933 Active Anthology by Charlotte Estrade

“…Lieu de convergence poétique, mais aussi de divergences et de différenciations par rapport à d’autres poètes et d’autres types d’anthologies, elle se présentera en fin de compte comme une transition et une étape dans sa mobilisation parfois agressive pour une meilleure visibilité de la poésie moderniste, ainsi que la formation d’un certain lectorat à une poésie expérimentale.…”
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Performance, Hybridity and Convergence in the Poetry of Alice Oswald and Kae Tempest by Bastien Goursaud

“…This paper looks at two poets, Alice Oswald and Kae Tempest, whose works are largely influenced by oral performance and exist on a plurality of media that are made easily accessible by the Internet. …”
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One More Word: The Translator’s Archive in Secession with Insecession by Angela Carr

“…In Erin Moure and Chus Pato’s Secession with Insecession, an encounter between two poets produces a “third text” that disrupts the linear narrative of translation (from source to target text). …”
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Now-Time Poetics: Under The Sign Of Benjamin by Michael Heller

“…L’objectif est donc de situer par ce biais le travail du poète, moins en tant qu’il consisterait à dépasser les modes lyriques du milieu de la poésie marchandise que comme l’activité d’une conscience socio-culturelle à même de rendre intelligible, voire viable, la situation historique et culturelle dans laquelle nous nous trouvons.…”
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