La part d’ombre d’un fonds photographique by Aline Muller

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Du terrain au Tour du monde : la fabrique du lointain by Victoire Lallouette

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Energigéo by Claire List

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Dans les marges de l’orientalisme britannique : le cas d’Isabella Bird et de Journeys to Persia and Kurdestan (1891) by Laurence Chamlou

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Appropriation de l’espace terrien et aérien par les cerfs-volants by Cecile Laly

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L’image pour déconstruire l’imaginaire à la frontière entre le Tadjikistan et l’Afghanistan by Mélanie Sadozaï

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Material study and conservation of face-mounted photographs and digital prints by Mireya Arenas, Silvia Garcia Fernandez-Villa

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De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre by Anne-Bénédicte Mérel-Brandenburg

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Gradient pooling distillation network for lightweight single image super-resolution reconstruction by Zhiyong Hong, GuanJie Liang, Liping Xiong

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Le renouveau de l’approche documentaire, exemple d’une archive collaborative : Susan Meiselas, Kurdistan (1991-2009) by Clara Bouveresse

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Issues of conservation and restoration of two photographic works by Zbigniew Dłubak: Onona and Desymbolisations by Monika Supruniuk

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Vers l’image aveugle : George Oppen et l’usage de la lumière by Xavier Kalck

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Butterfly fauna (Lepidoptera: Rhopalocera) of Donji Emovci, Požega, Croatia by Toni Koren, Goran Letić

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Outros olhares para outras Américas: cultura visual e fotografia na América Latina pós-tradicional by Sérgio Luiz Pereira da Silva

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FAIR Photos – Transforming a Collection of Two Million Historical Press Photos into Five Star Data by Leon van Wissen, Nico Vriend, Antoinet Nijssen, Lars Vereecken, Menno den Engelse

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Photobooks dedicated to Gunkanjima: Random Personal Memories or Strategical Publications? by Cecile Laly

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straight nose, queer mouth by Élodie Grethen

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Examining Students’ Perceptions of Equity in Informal STEM Education: A Community-Engaged, Visual Method by Karie Jo Peralta, Sloan Eberly Mann

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Fragmentary data and scattered lands: a recording protocol for a comparative archaeothanatological analysis based on archaeological illustrations by Anastasia Chrysanthi Solomou

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Unfixing the Frame: Visualizing Histories of Transcultural Contact, Exchange & Performance in Prince Roland Bonaparte’s Peaux-Rouges (1884) by Emily L. Voelker

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