Classificar o património (re)classificando as identidades. A inscrição do Kola San Jon na lista portuguesa do PCI by Ana Flávia Miguel, Susana Sardo

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Between guided tour and dance: Experiencing the historical environment through site-specific performative practices by S. A. Kondratyeva

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Transdisciplinary and interdisciplinary exchanges between embodied cognition and performance practice: working across disciplines in a climate of divisive knowledge cultures by Experience Bryon

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This is my Instrument: An Approach towards Performance Practice for Integrated Concerts by Thomas R. Moore

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In conversation with Alfred Brendel by Oscar Caravaca Gonzalez

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Johan van Beek, Klangrede am Klavier. Aufführungspraxis im 18. und 19. Jahrhundert, Kassel: Bärenreiter 2016 by Kilian Sprau

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ARNOLD SCHÖNBERG’S RECORD COLLECTION AT THE ARNOLD SCHÖNBERG CENTER, WIEN by Eike FEß

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Factors influencing the holding of Ilia Slatin’s Symphonic Concerts in Kharkiv in the 1870s–1880s by Lichuan Zhang

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Timing in Klezmer Performance by Yonatan Malin

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MUSIC OF THE BALLET ON PIANO: "ROMEO AND JULIET" BY SERGEY PROKOFIEV IN THE AUTHOR'S TRANSCRIPTION by Рустам Шайхутдинов, Александр Румянцев

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Modern runosinging in Karelia and Finland by M. V. Kundozerova

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What Else Can Grieg’s Historical Recordings Tell Us? by Arnulf Christian Mattes

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FACULTY OF MUSIC IN EDUCATIONAL SPACE OF A TOWN by Olga V. Tulinova

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