Structurer à l’étape de la retouche by Gaëlle Pentier

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La contribución del pintor Antonio Agudo al conjunto del Viacrucis de la Basílica del Gran Poder de Sevilla by Miguel Bastante Recuerda

Subjects: “…Agudo; art; painting; drawing; Via Crucis; Sevilla.…”
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L’Éloge du doute en Restauration des œuvres d’art by Ségolène Bergeon Langle

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Juan Sánchez Cotán’s Still Lifes and Artistic Ingenio in Early Modern Toledo by Carmen Ripollés

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Guerre et récit chez les Indiens ayorés du Chaco boréal paraguayen by Salvatore D’Onofrio

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A l’origine des couleurs et éléments matériels d’œuvres peintes des XIVe-XVIe siècles by Anne-Solenn Le Hô, Sandra Montlouis, Sandrine Pagès-Camagna†, Nathalie Pingaud, Yannick Vandenberghe

Subjects: “…painting…”
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UTILIZATION OF DIGITAL TECHNOLOGY TO PRESERVE CHINESE WALL PAINTINGS AS CULTURAL HERITAGE by Elizabeth Susanti GUNAWAN, Miki TJANDRA

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Analysis of facing materials used as remoistenable temporary supports for facing on canvas paintings by Paola Alba, Susana Martín-Rey, MaríaTeresa Doménech-Carbó

Subjects: “…painting…”
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“Bildtapeten” and the conservation of medieval wall paintings at the turn of the twentieth century in Germany by Ursula Schädler-Saub

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Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes by Elena Pratali

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Foreword by Gwendolyne Cressman, Fanny Moghaddassi, Rémi Vuillemin

Subjects: “…painting…”
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Le Prince Impérial : le témoignage posthume d’un talent ignoré by Aude Nicolas

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La peinture sur lave émaillée des façades des églises parisiennes du xixe siècle : une expérience de réintroduction de la polychromie by Josette Saint-Martin

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Canvas support impregnation materials and techniques: a study of Portuguese painting and its conservation issues by Andréa Carolina Teixeira

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Comparison between European Protestant and Catholic Economic Development through Modern Painting by Bernadett Balassa

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Conservation-Restauration de la peinture sous verre « Digitale » d’Auguste Scévenels by Adeline Vanryckel

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A wall painting from the domus of Palazzo Govone-Caratti at Alba Pompeia (Italy) by Greta Acuto

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L’École de Bologne passée au crible by Francesca Lui

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Il cinema come codice visuale (traduzione di Alice Bravin) by Marija Kuvšinova

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Las figuras cómicas del mono y de los portadores de pintura corporal negra entre los nahuas prehispánicos y su transformación en la época colonial by Agnieszka Brylak

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