„INTERNET SYMPHONY No. 1”: RETHINKING THE ORCHESTRA AS A VIRTUAL COMMUNITY by Bianca ŢIPLEA TEMEŞ

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LIGETI’S ROMANIAN CONCERTO: FROM WAX CYLINDERS TO SYMPHONY ORCHESTRA by Bianca ŢIPLEA TEMEŞ

“…Placing cutouts from the printed score side by side with the manuscripts of his transcriptions kept at the Paul Sacher Foundation, one may discover this piece’s origins, and the process by which Ligeti, the “archaeologist” brought the rich stock of Romanian folk music from the wax cylinders to the symphony orchestra. Romanian Concerto not only shows the impact our folk music had on the young Ligeti but also the way in which his collaboration with Romanian ethnomusicologists such as Mircea Chiriac influenced the composition of his first major orchestral piece. …”
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Topical Problems of Choral and Orchestra Conductors Training in the Russian Far East Region by N. F. Semenova

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Composed for Solo Guitar or String Orchestra? The Fluid Incarnations and Pedagogical Opportunities of Wallace Stevens’s The Man with the Blue Guitar by Bart Eeckhout

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Koro Ve Orkestra /Oda Müziğinde Seslendirme/Yorumlama Başarım Gücü Üzerine Program Odaklı Bir İnceleme - A Program Based Analysis Of Performing Success In Choir And Orchestra/Chamber Music Performance by H. Seval Köse, M. Can Çiftçibaşı

“…As for the choir and orchestra/chamber music courses, definitional curricula are examined “in terms of performance targets”. …”
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Factors influencing the holding of Ilia Slatin’s Symphonic Concerts in Kharkiv in the 1870s–1880s by Lichuan Zhang

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Fauxbourdon bei Bartók by Laura Krämer

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Formation of teaching system for training of musical group conductors by L. P. Rusanova, N. PH. Semenova

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“IT IS EMOTION AND STRENGTH THAT WE ARE CONVEYING THROUGH MUSIC” by Adél FEKETE

“…Since then, Keri-Lynn Wilson has worked with famous symphony orchestras and opera houses all over the world, such as: Dallas Symphony Orchestra, Toronto Symphony, Los Angeles Philharmonic, Gewandhaus Orchestra, Simón Bolívar Symphony Orchestra, Vienna Staatsoper, Bolshoi Theatre, Arena di Verona, Israeli Opera. …”
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Projet orchestre dans un collège REP+, à Toulouse : caractériser les difficultés déclarées par des professeurs chargés de l’enseignement musical by Lorraine Roubertie Soliman, Odile Tripier-Mondancin, Elisabeth Martinez, Nicole Bach

“…The case of the Bellefontaine College orchestra classes within the Grand Mirail is part of this scheme. …”
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ENSEMBLES MUSICAUX REPRÉSENTATIFS DE LA PHILHARMONIE « TRANSILVANIA » DE CLUJ-NAPOCA. LES QUATORS À CORDES PENDANT LES ANNÉES 1955 – 1989 by Simona-Mihaela SPIRIDON

“…The “Napoca” Quartet was the first chamber music ensemble to be founded only a year after the philharmonic orchestra, enjoying the presence of the concertmaster Ştefan Ruha since 1964. …”
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Behavioral Training of High-Functioning Autistic Children by Music Education of Occupational Therapy by Ting Xia, Zongrun Li

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Disturbed Pitch Perception during Antidepressant Therapy of a Combination of Lithium, Nortriptyline, and Oxazepam: A Rare Unexpected and Undesirable Side Effect for a Violinist by Siwert de Groot

“…After recovering, the medication was continued, but as a violinist, the patient was told that his intonation was too low with the consequence that he was not allowed to participate in the orchestra where he had been for years. After phasing out the medications, his pitch perception returned to normal. …”
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ASPECTS OF THE VOCAL-SYMPHONIC GENRE by Lucian GHIŞA

“… The vocal-symphonic genre is expressed by employing an apparatus that includes the orchestra, the choir and the soloists. It is to be found in several instances: the musical theatre – opera; without means of theatrical expression – oratorio, and cantata. …”
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SELF-SIMILARITY IN PITCH ORGANIZATION by Adrian BORZA

“…Line. Spot for string orchestra (2003). …”
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RALPH VAUGHAN WILLIAMS: “A CAMBRIDGE MASS”. ABOUT A NEWLY DISCOVERED MANUSCRIPT AND A WORLD PREMIERE, IN CONVERSATION WITH MAESTRO ALAN TONGUE by Bianca ŢIPLEA TEMEŞ

“…Recently, the conductor Alan Tongue discovered at the Cambridge University Library a manuscript signed by Vaughan Williams: a Mass for soloists, choir and orchestra, written in 1899, with the academic purpose of obtaining the title of Doctor of Music. …”
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Hofmusici a lokajové. K postavení hudebníka na šlechtickém dvoře v Čechách první poloviny 18. století by Václav Kapsa

“… The starting point of the study is the division of private Kapellen maintained by Bohemian aristocracy into those consisting of servants (‘servant orchestras’) as opposed to ensembles featuring professional musicians (‘independent orchestras’) introduced by Helfert in his book on music at the court of Count Questenberg in Jaroměřice. …”
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A SNEAK PEEK INTO LIGETI'S MAILBOX: "IL ME FERA GRAND PLAISIR D’ÉCRIRE UN QUATUOR À CORDES POUR LES ARDITTI. MAIS QUAND? ..." by Bianca ŢIPLEA TEMEŞ

“…Remaining an unrealised dream, along with other works, such as the operas Alice's Adventures in Wonderland, The Tempest and the orchestra piece Labyrinth, the String Quartets Nos.3 and 4 represent a window into Ligeti’s laboratory, allowing us to glimpse, through fragmentary clues, the author’s secret ingredients, ideas and creative mechanisms. …”
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SYNESTHESIA BETWEEN SOUND AND COLOUR by George APOSTOLESCU

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Can the human body cope with extreme heat in a changing climate? by Pieter Vancamp

“…When does this finely tuned orchestra falter, and how does the scorching heat transform from a mere discomfort to a lethal threat? …”
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