Duets in Viennese Singspiels by Carl Ditters von Dittersdorf and Opera Buffa by Svetlana B. Bubeeva

“…Duets in Viennese Singspiels by Carl Ditters von Dittersdorf and Opera Buffa. Contemporary Musicology, 9(1), 29―53. https://doi.org/10.56620/2587-9731-2025-1-029-053…”
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The Final of the Singspiel Doktor and Apotheker by Dittersdorf and the Tradition ofthe Opera Buffa by Svetlana B. Bubeeva

“…The finale is one of the central scenes in opera buffa demonstrating sophisticated dramatic situations and original music solutions. …”
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Del esplendor de la ópera al éxito de la canción by Guillermina Guillamon

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Johann Gottlieb Naumann’s ‘Pria che all’amato bene’, Or the Dresden Trail at the Origins of the Polish Polonaise Aria by Jakub Chachulski

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Tragedy “Mozart and Salieri”: Conflict Phenomenology and Culturology by P. N. Tolstoguzov

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Le Falstaff de Manfredo Maggioni et Michael Balfe : façonner un opéra italien pour le public anglais by Céline Frigau

“…Balfe’s and Maggioni’s combined efforts resulted in a truly genuine Italian opera buffa. Not only is it sung in Italian but it also respects the structural codes, vocal and scenic practices which make it recognizable as an opera buffa on the aesthetic stage of the time, and above all on the English stage. …”
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Les Fiançailles au couvent : Prokofiev adapte La Duègne de Sheridan by Tetiana Zolozova

“…How does his interpretation, which revives the tradition of opera buffa, compare with Sheridan’s libretto and what personal viewpoint did he adopt? …”
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Voicing the Third Gender – The Castrato Voice and the Stigma of Emasculation in Eighteenth-century Society by Marianne Tråvén

“…The golden days of vocal castrati lasted from c. 1650 -1750, when opera buffa, reform opera, and Enlightenment ideas about ‘the sound’ and ‘natural’, made the ‘unnatural’ and ‘unsound’ voice of the castrati obsolete. …”
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