NEW TRENDS IN MODERN MUSICOLOGY. A DISCUSSION WITH PROFESSOR NICHOLAS COOK by Bianca ŢIPLEA TEMEŞ

Subjects: “…Musicology…”
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AJAGBO: A TRADO-MUSICOLOGICAL DIMENSION TO CONFLICT MANAGEMENT SYSTEM IN INFRASTRUCTURE PLANNIG AMONG THE AKOKO SPEAKING PEOPLE OF SOUTH-WESTERN NIGERIA by Usman Umar Jimoh, Bolanle Wahab

“… Diverse studies conducted in the field of conflict management have centered on modern music with little attention to the trado[1]musicological dimension to conflict management as it affects infrastructural planning. …”
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LINEN SIEVES – THOUGHTS ON THE MARGIN OF ANGI ISTVÁN'S MUSICOLOGICAL WRITINGS (ANGI ISTVÁN: SITE DE IN, EDITURA MEDIA MUSICA, CLUJ-NAPOCA, 2014) by Attila FODOR

“… Founder of the Romanian school of music aesthetics, Angi Ştefan exposes in this book a bounded, but significant segment of his central musicological concerns of the late years. Its unconventional title Linen sieves, refers to a paradigmatic verse of the Transylvanian poet, Lucian Blaga, called At the Court of Yearning. …”
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THE DIFFERENT ASPECTS OF MUSIC THERAPY by Magdolna SZABADI

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In Memory of Rosemary Ganzert Fischer by Colin Andrew Lee

Subjects: “…Wilfrid Laurier University; Canadian Association of Music Therapy; music therapy pedagogy; improvisation; music therapy; musicology…”
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TEXTURALISM by Andrei C. COZMA

“… Although identifying and defining texture as a specific sound organization in sound mass compositions comes about frequently in contemporary musicology, only a handful of researchers regard this as a tendency of what turns out to be a large number of composers towards an aesthetic with underlying principles of composition. …”
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“JANKO”, THE “FOLK OPERA” LISZT NEVER WROTE by Mónika IVÁNYI-PAPP

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CONSTANŢA CRISTESCU: CONTRIBUTIONS TO THE VALORIFICATION OF THE MUSICAL TRADITION OF BANAT AND TRANSYLVANIA, MUSICAL PUBLISHING HOUSE, BUCHAREST, 2011 by Gabriela COCA

“… The year 2011 was very rich and creative for the musicologist Constanta Cristescu. Three volumes of musicology creations were published under her signature. …”
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The Concepts and Contextualization of Incantations in Nigerian Popular Music: Juju Music as Paradigm by Kayode Olusola

“…Data is collected through primary and secondary sources, and this paper relies on culture change and role theories in musicology as a fulcrum for discourse. The findings revealed that the incantation used in Juju music contains texts requesting spiritual protection, a defensive attack against the enemy, as well as for fame and financial success. …”
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The Good, The Bad and The Legacy of Kwaito by Madimabe G. Mapaya, Thulani G. Zulu

“…It emphasises kwaito‘s impact on South African culture and music, contributing substantially to the discourse of African musicology.…”
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The New Digital Documentality of Contemporary Film Scoring Practices. Preliminary Results Based on Participant Observation at the Studio of North American Composer Christopher Youn... by Gabriele, Giulia Ferdeghini, Ilario Meandri

“…This change necessitates a renewal of musicological research methodologies concerning contemporary creative practices. …”
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AI Composers and Cyborg Performers: More-than-human Creativity in Music by Trump Sebastian

“…The paper addresses ethical concerns about AI's role in music, including authorship and copyright, advocating for a reevaluation of musicological frameworks to accommodate the evolving collaborative landscape of human and machine creativity.…”
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BOOK REVIEW: CIPRIAN PORUMBESCU NECUNOSCUT (CIPRIAN PORUMBESCU UNKNOWN), PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X) by Gabriela COCA

“…Among a series of notable cultural representations made to celebrate 160 years of the birth of Bucovinean composer Ciprian Porumbescu, in June 1st at Stupca (today: Ciprian Porumbescu), at the Ciprian Porumbescu Memorial Museum, also held at the National Musicological Symposium. Within it have been presented the following papers dedicated to the composer's life and activity: Leca Morariu and the Monumental Monograph Worshiped to Ciprian Porumbescu (author: Vasile Vasile – from the University of Piteşti); The Architectural and Tonal Support of the Dramaturgy of the “Crai nou” (New Philanderer) Operetta by Ciprian Porumbescu (author: Gabriela Coca – from the Babeş-Bolyai University of Cluj-Napoca); “Balada” (The Ballad) of Ciprian Porumbescu – a Representative Creation of the Art Music of Bucovina (19th century) (author: Zamfira Dănilă – from the “George Enescu” Academy of Art - Iaşi); The Reception of Ciprian Porumbescu’s Creation in Banat (author: Constantin Tufan Stan – from the Filaret Barbu School of Fine Arts of Lugoj); „Altarul Mănăstirii Putna” (The Altar of Putna Monastery) (author: Sever Paraschiv Dumitrache – from the Bucovina Cultural Center of Suceava); and The Musicological Trilogy “Ciprian Porumbescu Unknown” to an end (autor: Constanţa Cristescu – from the Bucovina Cultural Center - Suceava). …”
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L’INFLUENCE DE L’ART POPULAIRE SUR L’ART SAVANT: RÉFÉRENCES ESTHÉTIQUES AUX CRÉATIONS ROUMAINES DANS LA PREMIÈRE MOITIÉ DU XXᵉ SIÈCLE by Liliana-Isabela APOSTU HAIDER

“…It was thus necessary to study the ethno musicological aspects strictly connected to the Rumanian popular tradition, and the anthropological aspects, aiming at the relation of the art with the human society, which produces it. …”
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DÉBATS SUR LA « ROUMANITÉ » MUSICALE by Luana STAN

“…Firstly, in the 1920’s, an important musicological movement marked the appearance of the periodical Muzica of Bucharest; the two main personalities of the Romanian music, musicologist Constantin Brailoiu and composer Georges Enesco, wrote a lot of essays to defend this «romanity». …”
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Towards Transformation of the Nigerian Youths: The Place of Yoruba Popular Music by Kayode Olusola

“…Relying on Femi Adedeji’s Transformation musicological theory, this work explicates the song themes and other lyrical contents of selected popular music in the Yoruba language fashioned towards positive transformative direction, for the purpose of socio-cultural analysis. …”
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Yatha in Kalmyk folklore and lyrics of the 20th century: the poetics of a musical instrument by Rimma M. Khaninova

“…Comparative and comparative, historical and functional methods, as well as the method of descriptive poetics, cultural, and musicological approaches determined a comprehensive analysis of the selected works in the article. …”
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