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    El lugar del teatro en la ETSAB. Cartografías by Guillem Aloy Bibiloni, Antoni Ramon Graells

    Published 2024-04-01
    “…A inicios del siglo XX, unos apuntes de Lluís Domènech i Montaner dan testimonio de una lección de Composición de edificios dedicada a los teatros, pero no es hasta el curso 1978-79 cuando, en el marco de la asignatura Composición III, Ignasi de Solà-Morales dedica una parte sustancial del programa a “la arquitectura teatral”. …”
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    ANTHROPOLOGICAL FOUNDATIONS OF THE CONCEPT OF "CRIME" IN HISTORICO-PHILOSOPHICAL DISCOURSE by I. O. Kovnierova

    Published 2020-06-01
    “…These paradigms, with a certain synchronicity, create the corresponding concepts of "crime": from violation of polis-space laws to identification with sin, from non-observance of mental and moral standards to social deviance. Contemporary understandings of crime are, for the most part, relativistic and constructivist, which is consistent with the postmodern anthropological paradigm. …”
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    METAMODERNISM MAN IN THE WORLDVIEW DIMENSION OF NEW CULTURAL PARADIGM by Y. O. Shabanova

    Published 2020-12-01
    “…An era without an unambiguously expressed moral guideline is based on the ethics of all-acceptance, the only justification of which is the existence of a universal right to beingness. …”
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    Derzhavin's dramaturgy as an artistic system by A.I. Razzhivin

    Published 2018-02-01
    “…Derzhavin's artistic dramatic system that includes the synthesis of arts, genre syncretism, elements of dissimilar styles, as well as moral and philosophical ideals, such as virtue, innocence, truth, love, and justice. …”
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    La relation texte-image dans les pièces gothiques by Marion Pouspin

    Published 2017-01-01
    “…Not only do the weight of words and images change the reception of the texts printed in the « pièces gothiques » and accompany the reader in doing a social act (prayer, communion in sorrow and joy of the life of French kings and queens, reformation of morals), but the relationships text-image also create differences and dissimilarities and interfere in the reception of these brochures. …”
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