Introduction by Monique DE MATTIA-VIVIES

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Digital Transformation of Education and Challenges of the 21st Century by A. D. Korol, Yu. I. Vorotnitsky

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La Grève des forgerons de François Coppée, un arma antihuelga en los escenarios españoles (1890-1923) by Gérard Brey

“…This article analyses the way conservative circles, in their ideological fight against socialism and anarchism in the second half of the Spanish Restoration, resorted to an 1869 drama monologue by François Coppée which they viewed as an admonition that strikes bring about even graver consequences than the evils they purport to resolve.…”
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Na sala de edição: “Mãe judia, 1964”, de Moacyr Scliar by Nicola Gavioli

“…This article explores how the short story “Jewish mother, 1964” by Moacyr Scliar, under the guise of a coming-of-age story and a monologue of a mentally ill patient, sheds light on violent practices that, without leaving visible marks on the body, have incurred serious and longstanding wounds within Brazilian society. …”
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CHARACTERISTICS OF NARRATIVE LANGUAGE IN THE HISTORICAL NOVEL NGUYEN DU BY NGUYEN THE QUANG by Nguyễn Thị Thẩm Mỹ

“…In this article, we introduce some basic language characteristics in Nguyễn Du by Nguyen The Quang: Narrative language, dialogue language, and monologue language. We discuss the ideology and theme of the work as well as contribute to affirming the value of the work in the development of the modern Vietnamese novel, especially historical fiction.…”
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SİYASET FELSEFESİ NEDİR? by Neşet Toku

“…In contrast to the philosophies that Nietzsche calls them as monologue scholarly, the lost goods, the secret which is needed not to disclose or academic chattering without danger, it is a rational scream which invites the man not to give up the idea for the qualified life and society…”
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Kurzmitteilung (2007) de Navid Kermani : l’écriture du deuil by Emmanuelle Terrones

“…There is to analyze the effects of the mourning imposed upon the protagonist like a moral imperative or a responsibility: the strangeness his words and actions take on, the confusion that spreads to him. The monologue he writes is evidence of the silent isolation to which the notice of the death condemned him, as well as the progressive and ineluctable loss of his own identity: the writing of mourning becomes mourning for himself. …”
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CODE-SWITCHING: STUDY ON THE SPEECH OF INDONESIAN JAVANESE EDUCATED BILINGUALS by Sudarsono Sudarsono

“…The data were sorted out of the corpora recorded from discussions, conversations, a monologue equivalent with 50,117 words of talks. They were recorded from natural speeches in natural settings. …”
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L’écriture de l’impuissance dans Die Liebesblödigkeit de Wilhelm Genazino by Anne-Sophie Hillard

“…This indecision corresponds to a general feeling of powerlessness which is linked to his fear of death, omnipresent in the narration, a feeling reflected in the objects and events described by the narrator, which officiate as a reflection of his subjectivity. Thus, this inner monologue, centered on vision, performs a spatialization of the narration. …”
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The Last and Latest Dickens by Clotilde De Stasio

“…As regards Dickens’s life and personality the focus is on the novelist’s frantic effort to assert his vitality and histrionic virtuosity in spite of aging and bad health, as already highlighted by his first biographer and more recently by Peter Ackroyd both in his life of Dickens and in the monologue The Mystery of Charles Dickens.…”
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"There’d always be something left" : (im)matérialité de la ville dans Hughie de Eugene O’Neill by Aurélie Sanchez

“…Yet the city eventually asserts itself on stage through the long, elegiac monologue of Erie Smith, a gambler mourning for a deceased night clerk. …”
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Nominals with zero suffixation in Anna Akhmatova's early poems by T.A. Korneyeva

“…It was revealed that nominals with zero suffixation were mainly used as a means of concentration of meanings and embodiment of the special drama of the poet’s lyrical monologue. The results of the research are important for expanding the knowledge on the text-forming function of word formation and, in particular, nominals with zero suffixation.…”
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Alienation in Families and the Breakdown in Children’s Educational Process: Ann Tyler’s Teenage Wasteland (1983) by Zennure Köseman

“…Eliot’s The Waste Land, Tyler emphasizes the existence of a dramatic monologue deriving from the disillusionment in the infertile land and the alienation in social living. …”
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Zooming into the L2 Speech Fluency Markers of Anxious and Non-Anxious Advanced L2 Learners – an Extreme Case Sampling Report by Magdalena Szyszka, Pekka Lintunen

“…Speech samples from a monologue task were examined for selected L2 utterance fluency measures: filled (FP) and silent pause (SP) frequency, mean length of silent pause (MLSP), articulation rate (AR), speech rate (SR), and mean length of run (MLR). …”
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L’espace dialogique chez Flaubert : la « cabane de l’Ermite » et le double pupitre des copistes by Rocky Penate

“…That is to say that Antoine’s prayers are fundamentally reflexive, despite their apparent variety — they do not transcend the logic of the monologue. Bouvard and Pécuchet’s experience, on the other hand, proceed from a spirit of dialogue. …”
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Arnold Bennett’s Naturalistic and Democratic Interiors in The Old Wives’ Tale (1908) by Laurent Mellet

“…This is how his naturalism based on an empirical art of the narrative and a surprising use of interior monologue gestures towards a democratic opening of literature in which doorframes, windows and thresholds help us reconsider the aesthetic and political meanings of interiority.…”
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“Fierce and Free, or Caged and Cowed”: Interspecies Oppression and Survival in Lucy Ellmann’s Ducks, Newburyport by Elisa Pesce

“…Her angst-ridden interior monologue is interrupted only by short sections of third-person prose that relate the story of a mountain lioness in search of her lost cubs. …”
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«BRAIN DRAIN» FROM RUSSIA AS A POLITICAL-MANAGEMENT PROBLEM by M. V. Kharkevich

“…First, it still has a form of a monologue rather than dialogue. There are a number of attempts to establish a dialogue with the leading foreign authors and a deficit of discussion among Russian political scientists. …”
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And-Prefaced Utterances: From Speech to Text by Fiona Rossette

“…Comme transition entre ces deux registres, je m’appuie sur l’étude des occurrences de and dans un discours de Steve Jobs, exemple de « monologue » à l’oral dans la mesure où un seul énonciateur s’adresse à un auditoire. …”
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Transformation of Melodrama in Turkish Cinema from Yeşilçam to the Present: The Films Innocence and Destiny by Kemal Çelik

“…Demirkubuz’s two films selected as samples carry the general characteristics of Yeşilçam melodramas such as exaggerated emotions, missed happiness, extremes, bipolar lives, event structures based on cause-and-effect relationships, monologue uses, music uses, while they differ from them at an important point. …”
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