« Un néant follement attifé » : macabre et grotesque dans Mesure pour Mesure by Sophie Chiari

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DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT by Miklós FEKETE

“… The Presence of the Valuable Features Macabre-Obstiné in the Late Piano Creations by Franz Liszt. …”
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Le théâtre baroque du corps démembré dans The Duchess of Malfi by Line Cottegnies

“…The Duchess of Malfi teems with images of dismembered bodies which form the basis of Webster’s specific macabre poetics. The play is haunted by body parts, at the levels of both plot and imagery. …”
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DIE UNTERSUCHUNG DER WERTE RELIGIOSO UND „LUGUBRE“ IN DEN KLAVIERWERKEN „AUX CYPRÈS DE LA VILLA D’ESTE – THRÉNODIE I., II.” UND „SURSUM CORDA” VON FRANZ LISZT by Miklós FEKETE

“… The atmosphere of the late works (composed between 1877–1885) changes more and more, the eroico, patetico and amoroso character almost disappears, while the ethical and aesthetic values of lugubre, religioso and macabre-obstiné get emphasized. This paper intends to point upon the first two mentioned values through the analysis of three piano pieces from the cycle Années de Pèlerinage. …”
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Revisiting Weimar Film Reviewers’ Sentiments: Integrating Lexicon-Based Sentiment Analysis with Large Language Models by Isadora Campregher Paiva, Josephine Diecke

“…These results are particularly impressive given that this corpus is especially challenging for automated sentiment analysis, with a prevalence of macabre themes, which can easily trigger falsely negative results, and a high number of mixed reviews. …”
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