CODE-SWITCHING IN INDONESIAN POPULAR SONGS AND THE IMPLICATIONS FOR ENGLISH LANGUAGE TEACHING by Rahmawaty Kadir

“…This paper investigates the types and functions of code-switching between English and Bahasa Indonesia that occur in lyrics. Fifteen Indonesian songs produced from 2009 to 2019 were examined. …”
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"PUBLISH OR PERISH": JAVANESE LANGUAGE MAINTENANCE ON JAVANESE-ENGLISH CODE-SWITCHING SONG by Amalina Maharani, Emy Sudarwati

“…The intrinsic merit of the song 'Lathi,' covering cultural values, song lyrics significance, and the song's moral message, were deliberately discussed here. …”
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Context-Related Melodies in Oral Culture: An Attempt to Describe Words-and-Music Relationships in Local Singing Tradition by Taive Särg

“…In oral folk song traditions we often find many lyrics, but not nearly as many melodies. The terms “polyfunctionalism”, “group melodies” or “general melodies” have been used by Estonian researches to indicate the phenomenon that many lyrics were sung to only one, or a small handful, of tunes. …”
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Propaganda image of the social world in Polish children’s songs by Małgorzata Pilecka

“…In this sense, social education is based on manipulation in which lyrics are the main tool of symbolic violence. …”
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Perlawanan Bangsa Palestina Dalam Lagu Zalzil Amna Israel Karya Grup Nashid Fariq Wa’d ( Kajian Semiotika Charles Sander Pierce ) by Saputra Husein Siregar, Fahriany

“…This research is titled Resistance in the song Zalzil Amna Israel by Nashid Wa'd group, in the song Zalzil there are symbols of resistance that are called to the Palestinian people to the Israeli Zionist Occupiers, so, in this case, the author seeks to explain where the symbols of the signs that exist in the lyrics of the song Zalzil which shows the aesthetic resistance to Israel, by using Charles Sander Pierce's analytical knife as a means of dissecting the Zalzil song to find the meaning or sign of resistance in the lyrics of the Zalzil song, with the Triadic Concept or Charles Sander Pierce's triangle sign, namely: Representamen, Object, Intepretan. …”
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De la voix au théâtre au théâtre de la voix : l’envers du décor poétique de Robert Browning by Yann Tholoniat

“…The scenes are midway between both text and stage directions, between the text and what is beyond the text, and they display a great variety of expression to such an extent that they constitute Browning’s poetics workshop for Dramatic Lyrics (1842) and Dramatic Romances and Lyrics (1845).…”
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IDEOLOGY IN INDONESIAN POLITICAL PARTY ANTHEMS: A STYLISTIC ANALYSIS AT THE LEXICOGRAMMATICAL LEVEL by Donal Fernado Lubis, Tri Arie Bowo

“…In this research, the anthem lyrics of the top three political parties, based on the 2019 legislative elections, were taken as the data and studied through a stylistic approach at the lexicogrammatical level to figure out the ideology in the realization of the vision and mission of the political parties. …”
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A Stylistic Analysis of Ṣeun Ògúnfìdítìmí’s Songs by Temidayo Akinrinlola

“…She is a promising and prosperous female artiste, who explores the richness of African values in creating her lyrics. Her songs are rendered in Oǹdó dialect. Oǹdó, a dialect spoken by the Oǹdó people of Southwestern Nigeria, is a dialect of the Yorùbá language. …”
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Towards Transformation of the Nigerian Youths: The Place of Yoruba Popular Music by Kayode Olusola

“…Relying on Femi Adedeji’s Transformation musicological theory, this work explicates the song themes and other lyrical contents of selected popular music in the Yoruba language fashioned towards positive transformative direction, for the purpose of socio-cultural analysis. …”
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Corpo by Eau’Rageuses, Catarina Fernandes

“…You can listen to the track and read the lyrics both in Portuguese and in a French translation. …”
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Dubbing Almanya. (Multilingual) Musical Intertextuality and Literary Solidarity in Duygu Agal's "Yeni Yeserenler" by Duncan Gullick Lien

“…In analyzing Duygu Agal’s Yeni Yeserenler (The Newly Sprouted 2022), I focus on the formal stakes of musical lyrics as epigraphs and allusions to music in the text itself. …”
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A “experiência irrespirável”: memória e esquecimento em Ricardo Domeneck by Elaine Cristina Cintra

“…This paper aims to discuss how the poet Ricardo Domeneck reflects about the memory and its double/opposite term, the forgetfulness, as a primordial element for the understanding of the subject in its time, proposing a lyrics of concepts and reflexion, in which the effectiveness of the memory is metaphorized by the discon- tinuous rhythm, composed by appositions and fragments. …”
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«We are not here to entertain you». Sambhaji Bhagat’s voice of presence by Sara Roncaglia

“…The article describes, through his words and his songs, the life story of an artist who attempts, with his lyrics, to give voice in Mumbai to the outcast, to those who today most suffer from the processes of marginalization and expulsion.…”
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Dépendance et attraction dans la poésie de Màiri MacPherson by Jean Berton

“…Her poems were first of all lyrics for popular songs. This implies a greater sense of sharing of feelings and opinions with her audiences constituting the whole community of Skye that were upset by the clearances and the subsequent political and economic policies.…”
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Dubbing Almanya. (Multilingual) Musical Intertextuality and Literary Solidarity in Duygu Agal's "Yeni Yeserenler" by Duncan Gullick Lien

“…In analyzing Duygu Agal’s Yeni Yeserenler (The Newly Sprouted 2022), I focus on the formal stakes of musical lyrics as epigraphs and allusions to music in the text itself. …”
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The Tongue, The Gong and the Song: Olú Ọbáfẹ́mi at 70 by Toyin Falola

“…Today we pay homage to the Anígilájé that entertains us with fecund lyrics from the home of music. Ìbà We pay homage to the seer who cast his spell of light to map the future of our land. …”
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L’alternance codique dans le rap algérien et tunisien by Felix Wiedemann

“…Hence rappers use their songs to speak of everyday life and to address personal and socio-political problems. Their lyrics are written in a multitude of languages, mirroring multilingualism and diglossia in the Maghreb. …”
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Les préliminaires textuels de Robert Browning by Yann Tholoniat

“…From his first poems onwards, Browning displayed a great interest in paratextual strategies—« from title page to closing line », as is said in his poem « Sibrandus Schafnaburgensis » (Dramatic Romances and Lyrics, 1845). Indeed, this peripheral zone or textual threshold is very important: it settles a pact between the poet and his reader and testifies to the author’s control over his text. …”
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70 anos da guerreira: a mestiçagem brasileira na tradução musical de Clara Nunes by Expedito Leandro Silva

“…Among the songs that best represent the artist portrayal are “Canto das Três Raças” and “Brasil Mestiço Santuário da Fé”, sang by her in the 1980s, the lyrics and interpretation showed the social Brazilian ethnological context in great detail. …”
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Secular-Believing Diasporic Jews: The Grassroots Theology of Paul Simon and Leonard Cohen by Hagar Lahav

“…Drawing on contemporary theories of lived religion and post-secular spirituality, it explores how their lyrics articulate distinctive forms of Jewish spirituality outside traditional frameworks. …”
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