Compositeur-librettiste : choix ou nécessité ? by Aude Ameille

Subjects: Get full text

The libretto as a genre: problems and approaches by Jakub Walczak

Subjects: “…libretto…”
Get full text

L’Amleto d’Arrigo Boito : deux versions énigmatiques avec Ducis et Dumas en dialogue by Costantino Maeder

Subjects: Get full text

Mythological Elements in 21st Century Turkish Operas and the Relationship Between Opera-Mythology-Sustainability by Sultan Ayça Sungur, Başak Gorgorettı

Subjects: Get full text

O możliwościach czytania dzieła operowego by Anna Wypych-Gawrońska

Subjects: Get full text

Hasse's Siroe, Thirty Years Later: A Veritable Work in Progress by Mellace Raffaele

Subjects: Get full text

La place du monde anglophone dans les livrets d’Eugène Scribe by Matthieu Cailliez

Subjects: Get full text

Tortuous Roads. Tracing Back the Reception Paths of Apostolo Zeno’s Libretto Venceslao (1703–1754)* by Ryszka-Komarnicka Anna

Subjects: Get full text

"Serc starania stracone" - szekspirowskie libretto Wystana Hugh Audena i Chestera Kallmana by Tomasz Kowalski

Subjects: Get full text

“Faust” by J. W. Gethe and A. H. Radziwill: Poetics and Issue of Musical Adaptation by Tatsiana Suprankova

Subjects: Get full text

Peculiarity of Embodiment of Literary Text by N. Leskov in Libretto of Opera by R. Shchedrin “The Enchanted Wanderer” by S. V. Burdina, L. N. Sultanova

Subjects: Get full text

The literary basis of the musical „Adio Chiustenge!” by Inga CEBAN

Subjects: Get full text