On Osip Mandelstam’s Poem “Impressionism” by Irina Z. Surat

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Students adherence to the social, cultural and national identity and impressionability of the soft war by S Amiri, A Izadi Tame

“…This study has investigated the relationship between national, social and cultural identity and impressionability of soft war based on personality traits and religious orientation. …”
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Screen Impressionism and Industrial Production Drama in the Film Your Contemporary by Yuli Raisman by Salnikova Ekaterina V.

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Poetics of Impressionism in the French and Russian Lyrics of the Late XIX - Early XX Centuries (based on the Work of P. Verlaine and M. Voloshin) by A. L. Latukhina, Y. A. Marinina

Subjects: “…impressionism…”
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Vernon Lee’s travel essays and the “confusion” of optical and temporal lines by Claire McKEOWN

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“The Greatest Revolution in Art”: Reinterpreting Roger Fry’s Byzantinism by Sander Oosterom

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Se souvenir du tribun et de l’apôtre. John Ruskin par son traducteur Émile Cammaerts (1878-1953) by Julie Lageyre

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Fleurs d’autisme au jardin du Docteur Gachet à Auvers-sur-Oise by Michel Jourdheuil

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An Impressionist-Existentialist Study of "Station" by Tahereh Alavi and "the Only One" and "Meet" by Abdul Hamid Al-Gharbawi by Narjes Tohidifar, Reza Nazemian

Subjects: “…impressionism…”
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NICOLAS ASTRINIDIS (1921-2010): COMPOSITIONAL LANGUAGES IN HIS « ‘ DEUX PIÈCES EN STYLE GREC’ » FOR VIOLIN AND PIANO by Vangelis KARAFILLIDIS

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The Imprint of the War in Ford Madox Ford’s Critical Writings by Isabelle BRASME

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Venice Biennale 1948. The Mostra degli Impressionisti at the German Pavilion and its Politics by Francesca Castellani

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THE OSMOSIS OF THE DIVERSITY IN MAURICE RAVEL’S WORK by Attila FODOR

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Ciência e arte: relações improváveis? Science and art: unlikely relations? by José Claudio Reis, Andreia Guerra, Marco Braga

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Женский портрет в русской живописи 1880–1890-х годов by Самохин, А.В.

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Bloomsbury and the Cinema: Practice and Theory of a New Form of Expression by Floriane Reviron

“…Just as Bloomsbury introduced post-impressionism in Great Britain, the cinema was beginning to emerge as a new art, introducing new visual vocabularies and perceptions. …”
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Bloomsbury or the Art of Disinterestedness by Catherine Bernard

“…However it is their contradictions that may in fact prove most fruitful if one wants to understand the impact of Post-impressionism in Britain.…”
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ИМПРЕССИОНИСТИЧЕСКОЕ ХУДОЖЕСТВЕННОЕ СОЗНАНИЕ В РУССКОЙ И ЗАПАДНОЕВРОПЕЙСКОЙ ПРОЗЕ НАЧАЛА XX ВЕКА by Виктория Захарова

“…In this article the impressionism was researched as a type of the artistic mentality. …”
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« I am content with tentativeness from day to day » : Thomas Hardy et le parti pris poétique du tâtonnement by Laurence Estanove

“…This constitutes a very personal form of literary impressionism which bears testimony to the modernity of Hardy’s writing, though outside the realm of modernism per se.…”
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Figurative representations of historical artistic fiction in television drama by WALEED BAHJAT AFRAM

“…He does not seek only entertainment, but he crossed the thresholds of education, spreading awareness and addressing new and innovative topics, through his high ability to address topics that work in both artistic directions in art in its general form, which are (realism) and (impressionism), The artistic dramatic achievement has the ability to achieve the visions and fantasies of the artwork maker by physically representing his artistic image in this high-impact sensory medium. …”
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