La réception du traité de Paris (1783) et l’imaginaire des relations franco-américaines by Hervé-Thomas Campangne

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El mascarón arquitectónico preclásico de la Estructura 3 de Chacté, Guatemala by Carlos Morales-Aguilar, Daniel Salazar Lama, Ivan Šprajc, Richard D. Hansen

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The COVID-19 pandemic art of Anna Szpakowska-Kujawska: from pastels to spatial compositions by Karolina Tomczak

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The first-layer frescoes in the dome of the Rotunda of Saint George in Sofia by Zakharova Anna

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L’art roman des Pyrénées : matériaux, technique et couleurs by Juliette Rollier-Hanselmann

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Visual Rhetoric of the Jewel with The Infant Jesus in the Setting of Arma Christi by Ewa Letkiewicz

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L’arbre & la colonne : pour une approche ontologique d’une œuvre médiévale by Mathieu Beaud

Subjects: “…iconographie…”
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Temas rituales en la cerámica « tipo códice » del estilo mixteca-puebla by Gilda Hernández Sánchez

“…This iconography is similar to that on the Borgia Group and Mixtec codices. …”
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Cross-Gendering the Racial Memory by Marlon B. Ross

“…In European-American iconography, there is a drive to materialize this gigantic feminine figure not only by super-sizing her but also by casting her in the hardest stones—again the Statue of Liberty providing a perfect instance. …”
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Nepomucká sousoší v Olomouci a v Žarošicích a jejich východočeské paralely. Příspěvek k poznání barokního sochařství na Moravě by Pavel Panoch

“…John of Nepomuk´s iconography in the baroque sculpture of Bohemia and Moravia: martyr´s dropping from the Prague´s Charles Bridge to the river and St. …”
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David Lynch’s Los Angeles: Control and Liberation through the Cinematic Image by Jakob Jurisch

“…Arguably, one of America’s greatest cinematic surrealists, David Lynch, boasts a filmography concerned with iconography, the nature of kitsch, and what dark underbellies such images veil. …”
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Renesanční epitaf jako médium „konfesijní identity“ v prostředí předbělohorské Chrudimi. Památník Tomáše Lvíka Domažlického (†1616) a Salomeny Francové z Liblic (†1619) jako histo... by Ondřej Jakubec

“…The central scene of the epitaph represents very rare iconography – Allegorical Crucifixion. We can find similar allegorical scenes especially at Silesian protestant epitaphs around 1600. …”
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Aportaciones al estudio de la gestualidad en la iconografía románica hispana by Alicia Miguélez Cavero

“…The aim of this paper is to set a series of general aspects related to the graphic representations of gestures in the Romanesque iconography of the Iberian Peninsula. This approach is based on the prior configuration of a gestural corpus, formed by attitudes, gestures and postures portrayed in the Romanesque Art of the Spanish kingdoms. …”
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Le jaguar, sujet et objet du sacrifice maya by Claude-François Baudez

“…The jaguar, subject and object in Maya sacrifice. In Maya iconography, the role of the jaguar as a predator associated with all kinds of violence such as war, sacrifice, torture and self-sacrifice, is well-known. …”
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Světec, kříž a zbožný krab. Divertimento z barokní hagiografie mezi Západem a Východem by Pavel Panoch

“…Francis Xavier and pious crab monitors examples of Baroque graphics (university theses), painting and sculpture in Central Europe. Older symbolic iconography crab in the European tradition of the West while confronted with moralizing reflection of crab motif in the context of early modern emblematics. …”
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Osobnost a dílo Matouše Radouše a tvorba renesančních epitafů v Chrudimi by Ondřej Jakubec, Radka Milotová

“…In some cases, a very original iconography of these epitaphs (e.g. the motif of Allegoric Crucifixion) proves that the commissioners of this monument were non-Catholics. …”
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Novelty Perspectives on Art and Heraldic Display of Nineteenth Century Historicist Retables in the Temes Banat by Mihaela Vlăsceanu

“… In this study I will question the function of images and symbols present on a selection of nineteenth-century altars in the Banat region, analyzing the use of heraldic symbols and particular iconography related to the holy kings of Hungary, providing an interpretation of the political engagement of their formulation and use. …”
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Voir une chenille, dessiner un serpent à plumes. Une relecture analogique de l’hybridité et des êtres imaginaires en Mésoamérique préhispanique by Dimitri Karadimas

“…This contribution suggests to look at the figure of Quetzalcoatl – in the Teotihuacan iconography as in the later Aztec one – by analyzing imaginary beings and the representations of hybrids in Mesoamerica as an analogical transcription of real beings according to the principles of formal analogy. …”
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La Documentation photographique by Magali Hamm, Nathalie Petitjean

“…In order to follow the evolutions of Geography, the collection presents a more and more diversified iconography: maps, photographs, but also drawings or advertisements, all this documents being considered as geographical ones. …”
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Djelfa 41-43. Un camp d’internement en Algérie : addenda iconographique by Bernard Sicot

“…Un camp d’internement en Algérie (Paris, Riveneuve éditions, 2015), a book that gathers - to trace the history and life of this emblematic place where were deported, with many others and as Max Aub, hundreds of Spaniards - archive documents, texts, often unpublished testimonies and an iconography that I was not able to complete, some images which existence I supposed remained without finding. …”
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