Comments on “a comparative study of sexual behavior, dysfunction, satisfaction, relationship, and sexual quality of life among treatment naïve and abstinent men (buprenorphine maintained) with opioid (heroin) dependence syndrome” by Gurvinder P. Singh, Meghna Gupta, Jitender Aneja

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Reply to: Comments on “a comparative study of sexual behavior, dysfunction, satisfaction, relationship, and sexual quality of life amongst treatment naïve and abstinent men (buprenorphine-maintained) with opioid (heroin) dependence syndrome” by Mahadev Singh Sen, Ankita Chattopadhyay, Nishtha Chawla, Ragul Ganesh, Suraj Verma, Siddharth Sarkar, Atul Ambekar

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Illicit drug use derived from wastewater-based epidemiology in Iran, their removal during wastewater treatment, and occurrence in receiving waters by Anvar Asadi, Shabnam Zarei, Nebile Daglioglu, Evsen Yavuz Guzel, Neda Ravankhah

Subjects: “…Heroin…”
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Identidad nacional y sufrimiento colectivo en los terremotos de Ecuador. La construcción del heroísmo de Mariana de Jesús by Natividad Gutiérrez Chong

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From Chicago to Hollywood: the Metamorphosis of V.I. Warshawski by Nicole Décuré

“…Taking as an example Sara Paretsky’s crime fiction series, with its private detective heroine V.I. Warshawski, and Jeff Kanew’s adaptation for the Disney studios, the article attempts to show how the subversive elements of the novels are weakened in the film and the unconventional heroine finds herself in the eternal roles of seductress and mother, which she is not in the fiction. …”
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The French aire in Jane Eyre by Emily Eells

“…Thanks to the French language, Brontë’s heroine succeeds in constructing her own space in the Victorian domestic world.…”
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Figures de l’aventurière dans The Eustace Diamonds, d’Anthony Trollope (1873) : le refoulement d’un retour by Jacqueline Fromonot

“…However emphatically Trollope denied the fact himself, it is striking that the characterization of the key character of The Eustace Diamonds, Lizzie Eustace, conjures up Thackeray’s fictional creature, Becky Sharp, the heroine of Vanity Fair, who appeared on the literary scene some twenty-five years before. …”
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« Une jeune femme, en robe de mérinos bleu... » by Florence Pellegrini

“…Based on the analysis of the first meeting scenes in two film adaptations of Madame Bovary — Claude Chabrol’s film with Isabelle Huppert (1991) and Sophie Barthes’ film with Mia Wasikowska (2014) — this article sets out to highlight the recomposition of the heroine they propose, as well as the reconfiguration of plot and narrative stakes.…”
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Emma au bal à la Vaubyessard by Jean-Marie Privat

“…But if in Flaubert's novel the heroine separates herself materially from her prosaic universe and if she runs wild very fleetingly in a symbolic margin, her initiation is cut short. …”
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Female friendship and fraternité in the prostitute memoir novels of eighteenth-century France by Allistaire Tallent

“… This essay explores a long-neglected novel, La Cauchoise, ou Mémoires d’une courtisane célèbre (César Ribié, 1783) and its depiction of female homosocial relations. As the prostitute heroine and narrator tells of her successful and colorful career and her many relationships along the way, we discover that her relationships (sexual, professional, and amicable) with other women prove to be the most satisfying and beneficial to her. …”
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A Room with Two Views: An Insight into the 1985 and 2007 Film Adaptations of E. M. Forster’s Novel by Elena Raicu

“…This is not the case with the second adaptation, which focuses mainly on the heroine and emphasizes her sexual awareness. The other characters lack substance and are not always convincing in their roles, but are present only insofar as they come in contact with the heroine. …”
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Le Paradoxe de la comédienne : Peg Woffington selon Charles Reade by Laurent Bury

“…In 1852, in his play Masks and Faces, or Before and Behind the Curtain and his novel Peg Woffington, Charles Reade chose as his heroine the British actress Margaret Woffington (1714-1760), whom he showed on stage but especially off stage. …”
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THE PORTRAIT OF RUXANDA IN THE OPERA ”ALEXANDRU LĂPUŞNEANU” OF THE BESSARABIAN COMPOSER GHEORGHE MUSTEA by Luminiţa GUŢANU

“…The dialectics of the heroine’s character is presented in a wide range of moods, which I will analyse by synthesizing the two emotional areas: the X-major-clear sphere / the Y-minor-obscure sphere. …”
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Sound in Daniel Deronda by Michael Hollington

“…It is particularly interested in a series of shrieks from the heroine, Gwendolen—three in number, at the charade, at the time of her wedding, and at the death of her husband—which mark points at which she recognises the terrible course in life on which she has launched herself. …”
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Noms, étiquette(s) et identités dans Persuasion, de Jane Austen by Marie-Laure Massei

“…Labelled a ‘nobody’ at the beginning even though she embodies sense, constancy and fortitude, Anne Elliot is reborn as a heroine through her ability to read and decipher meanings, manners and behaviours: her new status and identity are then aptly signified by a telling mutation of the signifier after her marriage, freeing her from the sterile codes of the paternal narrative.…”
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Elisabeta Rizea de Nucsoara : un « lieu de mémoire » pour les roumains ? by Claudia Dobre

“…Devenue un personnage médiatique approprié par les milieux intellectuels et par les partis politiques « démocrates », elle prend les dimensions paradoxales d’une figure symbolique érigée en héroïne nationale qui serait en train de devenir un « lieu de mémoire ». …”
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Le Græculus et la Chananéenne : Salammbô, le roman des traductions by Agnès Bouvier

“…The other translating character in the novel, the heroine herself, practices translation like the art of seduction, until Flaubert, in a writing act that genetic analysis of the drafts can trace, casts on this novel and on its character Babel’s curse, more severe than Tanit’s. …”
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Tatiana in Onegin’s life. Part I by Nikishov Yuri Mikhailovich

“…It is possible if you notice that the hero and heroine exchanged mutual tender glances at their first meeting. …”
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The Gastrodynamics of Edna Pontellier’s liberation. by Urszula Niewiadomska-Flis

“…In The Awakening Kate Chopin uses foodways to define and transgress the social and cultural boundaries of acceptable female behavior as well as to reinscribe woman’s identity through the culinary dimension of her heroine’s life. The novelist uses eating and dining scenes as metaphors for Edna Pontellier’s search for her female selfhood and, in a broader perspective, as symbols of the major issue of her own fiction—gender trouble in the South. …”
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De Shirley à Villette : comment Jane Eyre peut-elle vieillir ? by Bernadette Bertrandias

“…While Jane Eyre obliterates the process of getting old, not so for Charlotte’s two subsequent novels which introduce singular characters whose connection with the heroine suggests that ageing is now part of the issue of self development with which her writings are concerned. …”
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