Action / Participation by Stéphane Huchet

“…From Neoconcretism until today, “participation” has become a genre that has not lost its mythical motivating force. …”
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Channels of Iranian pastoral nomads on the YouTube network: Video narratives of the life of the Lori (Lur) Bakhtiari tribal people and ethnic group by Gorunović Gordana

“…The main question underlying the research is what an anthropologist as a viewer and an impartial bystander can learn from these amateur videoformats, which can be included in the genre of domestic folk films about the daily life and customs of the pastoral, partially sedentarized, (semi)nomads in southwest Iran. …”
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Des cités hallucinées à la grille invisible, William Gibson et les métamorphoses du cyberespace by Henri Desbois

“…Between 2003 and 2010, Gibson has published three novels set in the contemporary world, thus apparently relinquishing the SF genre. He nonetheless continues his exploration of the very same topics than in his former novels, recasting cyberspace as a way to envision the technological changes of the last two decades. …”
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The Precarious Balance of Refugees: Rupture and Connectivity in Mohsin Hamid’s Exit West (2017) and Helon Habila’s Travelers (2019) by Vanessa Guignery

“…However, Hamid and Habila also draw from the potentialities of the novelistic genre to devise formal ways of connecting apparently disparate story lines and thereby suggest possibilities for cross-cultural solidarity between refugees who share a common condition of vulnerability.…”
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Mujeres en la murga porteña: Arte, territorialidad y empoderamiento by Almendra Aladro

“…The work realized reflects that the progressive incorporation of women into this genre has produced its artistic resignification and has turned it into a tool of struggle for political participation in the management of urban rights and, in particular, of the cultural type. …”
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Science-fiction féministe, des œuvres aux fans by Hélène Breda

“…It aims to show that, even though SF has often been considered as a male-dominated cultural arec (from authors to audiences, and for character representations), many female readers and spectators appropriated the genre. Firstly, I put this subject into a historical perspective, by explaining that female SF fandoms were created in opposition to the male writers and fans communities which rejected them. …”
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La science-fiction fantastique de Maurice Renard by Arthur B. Evans

“…His neglect among Anglo-American literary scholars is most likely the result of two factors : first, very few English translations of Renard's works exist (and those that do are of inferior quality) and, second, the basic nature of Renard's sf tends to challenge our more modern notions of genre specificity when defining the sf canon-i.e., his stories appear to continually cross the line into Gothic horror, mythological fantasy, and detective mysteries. …”
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Voyages en Shangrila : le marché « in situ » des objets d’art primitif d’Himalaya by Gisèle Krauskopff

“…In the early 1990s, collector catalogues and exhibitions established a new aesthetic genre, Himalayan primitive art. Studying the local market in Kathmandu—birthplace of these objects in the 1970s—makes it possible to show the market context in which they were selected, exchanged and classified, revealing the role that tourism and hippy travellers play in their circulation. …”
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A Great Exhibition of Printing: The Illustrated London News Supplement Sheet (1851) by Paul Fyfe

“…The sheet demonstrates the technological evolution of illustrated periodicals as well as their hybrid conceptual status, blending text and image in a genre that claimed the immediacy of news. Ultimately, the ILN celebrated its industrial processes as a guarantee of visual fidelity, offering its illustrations not only for what they visually represent but also as material artefacts of its own production.…”
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REPRESENTASI FEMINISME DALAM FILM ENOLA HOLMES 2 (ANALISIS SEMIOTIKA JOHN FISKE) by Aulia Kamil, Ainur Rochmaniah

“…Tak terkecuali dunia perfilman, isu feminisme menjadi salah satu genre dalam “Enola Holmes 2”. Penelitian ini bertujuan untuk mengetahui bagaimana representasi feminisme yang ditampilkan dalam film Enola Holmes 2. …”
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Poručík proti maršálovi. Dvojí výzva post-vaubanovské tradici v textech skotského vojenského inženýra Charlese Bisseta z let 1751–17781 by Petr Wohlmuth

“… This text represents a study in cultural history of war and warfare and adheres more specifically to the genre of historical anthropology. It deals with a problem of concept of so called crisis of permanent fortification, commencing in the period after the Treaty of Aix-la-Chapelle which terminated the War of the Austrian Succession. …”
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Kabaret as 'n 'Alternatiewe' Kommunikasieverrigting by Stephan Bouwer

“… In this article an attempt is made to examine cabaret, a sub-genre of Dra ma, as an "alternative" communication transaction. …”
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Text disintegration within the academic discourse by D.A. Cheremokhina, K.K. Stebunova

“…This paper deals with the academic text, which categories and genre characteristics should correspond to the expectations of the participants of the academic discourse. …”
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« Shots in mirrors » : Les jeux de miroir dans No Country For Old Men (Coen 2007) by Julie Assouly

“…More significantly, she described the thriller genre as a mirror of society, thus considering both the object and its metaphorical character. …”
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Cheesecake Manor, Californie : Raymond Chandler entre roman à énigme et roman hard-boiled by Isabelle Boof-Vermesse

“…One of the founding fathers of American detective fiction, Raymond Chandler is also a theoretician of the genre. In his critical essays, "The Simple Art of Murder" (1944), "Casual Notes on the Mystery Novel" (1949), "Notes on English and American Style" (1949), "Introduction to Killer in the Rain" (1950), Chandler contrasts hard-boiled fiction with its British counterpart, the whodunit, to propose a definition by exclusion of the American formula. …”
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Automatic detection of fake reviews at marketplaces using expert-based features and consumers’ reactions by A. N. Borodulina, E. V. Mikhalkova

“…Due to the abundance of fake reviews on marketplaces, consumer trust falls not only in the seller or platform, but in the genre itself. The paper presents the results of automatic classification of reviews from Russian marketplaces into potentially fake and honest ones using modelling of features that experts call labels of a fake review (presence of template words, exclamation marks, emoji, positive sentiment), and machine learning algorithms. …”
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Stories of Water/Storied Water: Agential Realism and New Thalassology in the 21st-century Literary Classroom by Jasmine Sharma

“…This article will attempt to make four contributions: (1) it will describe the concepts of materialist ecocriticism, and new thalassology, and situate the conceptualizations within the broader fields of environmental humanities, (2) it will reinscribe the image of water as a densely plural and a tentacular living organism using Karen Barad’s theory of agential realism and Stacy Alaimo’s notion of transcorporeality, (3) it will briefly overview hydroficion as a critically apt genre for interrogating the disoriented dialectics between humans and nonhumans, and consider Emmi Itäranta’s young adult dystopian fiction, Memory of Water (2012) as the primary entry point in de-anthropocising wet matter, and (4) it will delineate the relevance of water narratives and the inclusion of such narratives in higher education curricula. …”
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Eine Theorie des lyrischen Gedichts by Dieter Lamping

“…In order to correspond to the conception of the lyrical genre in the understanding of Dieter Lamping a text has to meet two conditions: On the one hand the lyrical poem, a term which is employed synonymously to poetry, is to be distinguished from both dramatic and epic poems as it is considered as single speech in verses. …”
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2000-2015 : un âge d’or du format webdocumentaire by Michaël Bourgatte

“…Dozens of projects were launched, especially between 2000 and 2015, renewing the documentary film genre thanks to the potential of digital technology and the Internet: the presence of text, graphic elements, and a whole range of services and options that allow the emergence of delinearized, sliding or playful narratives. …”
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Function of Simile in Symphony “The Dead” by Alireza Asadi, Sara Hosseini

“…Take a look at contemporary Persian literature and reviews, the role of similarity in the Persian novels show that in the Persian novels, unlike poems, the impact of such unit of similarity goes beyond and if the overall form and its relation to all the figurines novels reviewed, concepts derived from the fictional works of critics could identify the genre and style of the author. Romance symphony “The Dead” is one of the outstanding works of the 1360s and considered that after a few decades, it is still attractive for the readers. …”
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