AN ORIGINAL COPY: THE FILM ADAPTATION OF KAZUO ISHIGURO’S NEVER LET ME GO / ORJİNAL BİR KOPYA: KAZUO ISHIGURO’NUN NEVER LET ME GO ROMANININ FİLM UYARLAMASI by Hatice YURTTAŞ

“…Discussing the novel’s deconstructive strategies through which the categories of the human, authenticity and copy are unsettled, it is suggested that Ishiguro’s text distinguishes itself from science fiction genre where these categories are affirmed by relocating them in a hierarchical relationship. …”
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Un texte et sa continuation : une hypothèse à l’épreuve de quelques expériences stylistiques by Christine Ferlampin-Acher

“…After ruling out the hypothesis that this internal narrative polysyndeton is a genre style, it is shown that this characteristic is clearly marked in the first part, which is thus stylistically distinguished from the second part. …”
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L’art du portrait du traducteur dans l’espace francographe : deux recueils et une histoire des traductions by Marzena Chrobak

“…The author studies the art of composing a translator’s portrait, a genre present in the francophone area since 1963 (E. …”
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Cântecul lui Ioasaf şi verşul Sfântului Alexie, omul lui Dumnezeu. O abordare literară by Cristina-Ioana Dima

“…Hereby, the poem is included in the hymnographic genre.…”
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The sequoia files : L’arbre merveilleux by François Brunet

“…This paper reviews a series of descriptions of sequoias published between 1860 and 1890, in order to identify the main components of a highly consistent genre. Centering on the sequoia as a challenge to representation, this literature tends to describe the logic of exploration in purely rhetorical terms, and thus to translate the otherness of the frontier into a space of language play, which seems typical of the Victorian era.…”
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Langage et pouvoir : effets du positionnement des idéologies étatiques dans la publicité cosmétique en Iran. Analyse discursive de la représentation de la femme dans les publicités... by Banafsheh Karamifar

“…Based on samples of cosmetic advertisements printed during the last years of the first period and those of the second period, the study attempts to illustrate the fluctuation in linguistic strategies used in this genre for representing the Iranian women, who were forced to follow the governmental policies of their time. …”
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Inspired by Kabuki: Reflections on a Theatrical Experiment with Wilde’s Salomé by Dallas McCurley

“…Finally, attention turns to the important kabuki sub-genre of “raw domestic” plays, where the downright sordid is rendered with an eerie beauty; this closing section dwells on the clashing sign-systems through which the play’s disturbing erotics (familial and other) are projected.…”
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THE GENESIS OF THE PIANO TRIO by Marta CÎRLEJAN

“…Mozart, introducing the technique of multiple thematic development marked the path of the piano trio becoming a concert genre in its own right. …”
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Le monde Gothique de Le Fanu : cryptonymes et mots étrangers by Christine Berthin

“…In Carmilla, German cryptonyms point to secret alternative messages that remain partly untranslatable and need to be read against the grain of the narrative. More than a genre, the Gothic is a poetic subversion of the Symbolic. …”
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What Hitchcock Taught Us about Whodunnits by Dominique Sipière

“…Although he specialised in crime thrillers, Alfred Hitchcock avoided filming whodunnits: his dislike gives a clue to both readers and spectators about the nature of what could be termed a “Hitchcock-genre” and about the thrill some still get from seemingly old fashioned novels of the 1930s. …”
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« A thrust at truth and a lie » : The Crying of Lot 49 ou le langage en quête de vérité by Jean-Yves Pellegrin

“…The relation of The Crying ofLot 49 to the detective novel may not be a simple matter of borrowing some of the characteristic patterns and features of the genre. Indeed, like detective narratives, Pynchon’s novel seems to intimate that some heuristic power is at work in its text. …”
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Saving Private Ryan (Spielberg, 1998) as a Post-Vietnam War Film in Search of Moral Legibility by Mehdi Achouche

“…Yet the film still attempts to rescue the citizen-soldiers traditionally celebrated by the genre from that wilderness by relying on the codes of melodrama and the central figure of the good leader…”
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« Une splendide anomalie ? », le Pilgrim’s Progress de Ralph Vaughan Williams by Gilles Couderc

“…While the composer was conscious of the atypicality of his “operatic morality” it is indeed surprising to see an avowed agnostic composer spend forty years of his life on a work that dismisses the conventions of traditional opera and endeavours to portray mystical experience on stage and to renew with the sense of rite and ritual, part and parcel of the genre as Wagner’s subtitle for his Parsifal, “a sacred scenic festival”, reminds us.…”
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Le personnel est encore politique by Claude Chastagner

“…Corridos, a popular musical genre among Mexican and Mexican-American populations, are part of a realistic aesthetic that for a long time made them vectors of social protest and resistance. …”
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Sanctity and Theatricality. Exploring the Conversion and Representations of Saint Thaïs through Hagiography, Literature, and Art post the Council of Trent by Massimo Leone

“…Exploring verbal and visual texts, the paper identifies four key perspectives: the historical veracity of Saint Thaïs, the evolution of her depictions through cultural and religious history, a semiotic analysis of genre transposition, and her relevance to faith and conversion themes. …”
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Unveiling Koreanness in Yoon Ha Lee’s Dragon Pearl: Cultural Representation and Translation Strategies by Byoung Yoong Kang

“… The paper explores the representation of Koreanness in Yoon Ha Lee’s Dragon Pearl, a novel that uniquely blends elements of Korean culture with the space opera genre. By examining key cultural markers such as character names, traditional food, and folklore (notably the gumiho), this study highlights how the novel portrays a diasporic sense of identity and belonging. …”
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Représentations du temps et de l’espace en science-fiction : du roman à l’écran by Orlane Glises de la Rivière

“…We will see that this notions are essential in the genre of science-fiction.…”
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From the history of Lithuanian picture books (1900-1930) by Ingrida Korsakaitė

“…A new term paveikslėlių knyga to specify this children's book genre has been introduced, which was not in wide use in Lithuanian book research before. …”
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Æsthetics and Politics: Italian Opera as Revealed in the Correspondence of James Harris by Donald Burrows

“…L’opéra italien est avec le théâtre français le genre de divertissement le plus prisé en Europe. …”
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Zwischen Sprechen und Singen. ›Performative Formgebung‹ in den Chansons von Edmund Nick und Erich Kästner aus der Münchner Schaubude by Daniel Ernst

“…Keineswegs nämlich kommt dem Notentext in diesem Genre der Stellenwert eines festgeschriebenen und definitiven, von der konkreten Ausführung unabhängigen Werks zu. …”
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