La cabane éclatée. Morcellement des objets immobiliers apparentés à l’art brut by Roberta Trapani

“…In the early 1930s, Jacques Brunius (1906-1967), poet and filmmaker, introduced the remarkable architecture of a rural postman from Hauterives, Ferdinand Cheval (1836-1924), to the surrealist group. …”
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Adebáyọ̀ Fálétí: The Passing of a Cultural Icon by Akin Adeṣọkan

“…Walking out the building with cultural critic Toyin Akinosho at the end of a visit with the filmmaker Tunde Kelani, I also find it quite chastening.   …”
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Une « drôle de guerre » à l’écran : Khalkhin Gol by Alexandre Sumpf

“…Shot in 1939 in Mongolia and edited in Moscow by documentary filmmaker Ilya Kopalin, Khalkhin Gol recounts the achievements of the Red Army and its commander General Zhukov in the struggle against the Japanese enemy. …”
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Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger by Xosé Somoza Medina

“…This article analyses the relationship between cinema and the city of Porto, from the first film episodes to the co-financing by the local Film Commission of the film Porto, by Brazilian-born filmmaker Gabe Klinger. The study contrasts the way in which local director Manoel de Oliveira projected the city of Porto in his works, with the objective and qualitative analysis of Gabe Klinger’s film. …”
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Oak Tree, Gum Tree by Catherine Gough-Brady, Christine Rogers

“…How much of this becomes an expression of the filmmaker through the images? This work was selected for exhibition at the International Visual Sociology Association conference in 2022. …”
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Documentary film politics and the politics of documentary film by Lieza Louw

“…The film deals with the days leading up to the final and tragic outcome of strike action by miners at a time when the print media predicated the state and the mine owners’ points of view. The filmmaker, a self-acclaimed political activist, set out to recount the events by recreating a voice for the mine workers by offering his personal reaction to the deaths of the 34 black men by interviews and archival material. …”
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Naître vers la fin : circularités dans Alumbramiento de Víctor Erice by Miguel Rodrigo

“…Paradoxically, Erice's most narrative film, the one that relies most heavily on the linear and irreversible nature of time, is at the same time the one in which the poetics of circularity, present in the filmmaker's work since his first feature-length film, takes up the most space and achieves its most accomplished expression. …”
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Research of organisation specifics of shooting process in the creation of an audiovisual product by Yu. V. Vorontsova, A. Yu. Mazur

“…This article presents a study of the organisation of the shooting process, taking into account the authentic features of five films by the Spanish filmmaker and photographer Carlos Saura, where the principle of “photography” was the basis for the construction of the frame. …”
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A Digital Trail of Rupture. The German Film Exile 1933-1945 in the Data of Günter Peter Straschek by Imme Klages

“…This contribution concerns a list of film exiles collected by the exile researcher and filmmaker Günter Peter Straschek (1942-2009), whose collection of files belongs to the _German National Library, German Exile Archive 1933-1945, Frankfurt am Main_ and was inventoried according to their Normdata. …”
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Marketing auteurism: the vanishing industry model behind Pedro Almodóvar’s success in the US by Jennifer Green

“…Almodóvar’s typical production-distribution structure and exportable filmmaking style are outlined, as are his US distributor’s strategic use of specialised press, elite events and targeted marketing of arthouse audiences with a specific cultural capital and an established view of European cinema. …”
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« There are kisses for all » : Le defilé des jeunes hommes by Luc Bouvard

“…Through a constant reference to the table concerned with the diegetic elements that the filmmaker chose to transfer or not to transfer, conflate or dilate, displace or suppress, I have endeavoured to systematize Brian McFarlane’s methodology. …”
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Almodóvar’s Baroque Transitions in the Early Films (1980–1995) by Frederic Conrod

“…Spanish film director Pedro Almodóvar has been detected early on by film critics as a Baroque filmmaker, a qualification to which he has agreed in interviews. …”
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Intersemiotic Translation: From Medieval Poetry to Modern Movie by Leila Nik Nasab

“…In this adaptation, the filmmaker did not aim for complete fidelity to the original text, nor was its originality fully preserved. …”
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Amazon Journeys and Poetic Re-Discoveries in Jan Conn’s 'Jaguar Rain' and Malu de Martino’s 'Margaret Mee e a Flor da Lua' by Magali Sperling Beck, Anelise R. Corseuil

“…A few years later, in 2012, the documentary Margaret Mee e a Flor da Lua, directed by Brazilian filmmaker Malu de Martino, was premiered. In the film, Martino reconstructs Mee’s final journey to the Amazon in search of the moonflower while also reinstating the artist’s important contributions as an artist, environmentalist, and contemporary explorer. …”
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Polskie kino lat 1949–1955 wobec realizmu socjalistycznego. Ideologiczna mobilizacja jako kontekst dla myśli pedagogicznej by Marek Sokołowski

“…The article concerns a specific period in the history of Polish cinematography, called socialist realism (1949–1954). The new style of filmmaking (according to the ideology of the Polish Communist Party), was imposed by the filmmakers, but was not accepted by the cinema audience. …”
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Filmar para tajar: Madrid en el cine en torno al 15-M by Luis Deltell Escolar

“…An analysis is made of the productions by the artistic collectives that emerged as a response to the first demonstrations by the protesters, followed by an overview of the works of established filmmakers who approached this topic and, finally, the aesthetic and thematic evolution of the subsequent films by these creators is explored. …”
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Filmer la ville et ses acteurs ordinaires by Rouba Kaedbey

“…Based on her own experience of filmmaking, the author defends the idea that film is a perfectly appropriate tool to highlight issues of social geography. …”
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NEW SOURCES OF FINANCE FOR THE FILM PRODUCTION by P. Ogurchikov, N. Skobeev

“…The refund mechanism for foreign producers on the example of the Hungarian system of incentives for foreign filmmakers is analyzed. The experience of granting tax incentives for film production of the EU countries is described. …”
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Entre campagne publicitaire et films d’auteur : douze paysages urbains italiens au cinéma by Olivier Gaudin

“…12 Registi per 12 città (1989) is a commissioned promotional film comprising twelve portraits of cities, produced by twelve famous Italian filmmakers before the 14th World Cup (Italia’90). It is an exemplary body of works which can be used to study the relationship between the representation of the urban landscape and the advertising image. …”
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Metafory wizji by Stan Brakhage

“…Selected Writings on Filmmaking by Stan Brakhage (2001). Reżyser snuje poetycką, pełną gier słownych refleksję nad tytułowymi metaforami wizji. …”
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