Flashbacks in Film Noir by Gilles Menegaldo

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Phyllis, Cora, Laura, Gilda… Kobieta jako przedmiot w „film noir” by Patrycja Włodek

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Hollywoodzki gotyk i zamknięta przestrzeń ogniska domowego by Patrycja Włodek

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Crime Films and Lexical Change: Can an Analysis of an Electronic Corpus of Fifteen Crime Films Help Students Understand Semantic Mutations? by Jean-Louis Vidalenc

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A sombra do mundo: excesso e aprisionamento em Diomedes: a trilogia do acidente, de Lourenço Mutarelli by André Cabral de Almeida Cardoso

Subjects: “…film noir…”
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Czarny kryminał i nieklasyczna narracja. „Wielki sen” Howarda Hawksa, „Żegnaj laleczko” Edwarda Dmytryka i „Tajemnica jeziora” Roberta Montgomery’ego by Patrycja Włodek

Subjects: “…film noir…”
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La nuit américaine dans Noir de Robert Coover by Marc Amfreville

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Une histoire oubliée : la genèse française du terme « film noir » dans les années 1930 et ses implications transnationales by Thomas Pillard

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The shadow of the world: excess and imprisonment in Diomedes: a trilogia do acidente, by Lourenço Mutarelli by André Cabral de Almeida Cardoso

Subjects: “…film noir…”
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Sutures génériques et fêlures intérieures chez Charles Burns by Jean-Paul Gabilliet

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Re-representing “The Great American Institution that Never Gets Mentioned on the Fourth of July” by Cristelle Maury

“…This article relies on theories of adaptation to analyze Todd Haynes’s 2011 miniseries Mildred Pierce, in the light of its source novel written by James Cain in 1941 and of Curtiz’s 1945 film noir. It explores the way in which the story of an individual woman is representative of women’s collective history while being tightly linked to the historical context. …”
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