Topsy Turvy de Mike Leigh : l’envers du décor ou la norme mise à mal by Isabelle Cases

“…In Topsy Turvy, British film-maker Mike Leigh seems to move away from the social cinema he is usually associated with. …”
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(De)Humanising People in Discussions around Race and Religion by Lea Skewes

“…Suhr’s talk was based on his experiences as a film maker, and he drew attention to how the framing of movies about minorities (like Muslims) shape our understandings of what it means to belong to a particular minority. …”
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Immagini migranti, immagini in-discriminanti Latenze e valenze nell’uso di foto e filmati in ambito migratorio by Alberto Baldi

“…They gathered from the urban contexts where they settled down, all the necessary and technological know-how to convey, sometimes autonomously, as an amateur photographer or film maker, the winning image they wanted to send back home and project on the village walls on occasion of one of their “well planned” trips back. …”
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Le film de mobilisation centrasiatique by Valérie Pozner

“…Of modest ambition, generally short, made with what was at hand by evacuated film-makers, these movies appealed to the local myths and to the major figures of the national pantheon. …”
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Sangue de Lua: reflexôes sobre espíritos e eclipses by Carlos Fausto

“…These activities were documented by a team of Indigenous film-makers who produced a documentary video about the event. …”
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Vidas desperdiçadas? Uma análise de Estamira, de Marcos Prado, e No quarto de Vanda, de Pedro Costa by Mônica Horta Azeredo

“…By making use of a cinematographic language contrary to the ones of the canons, the film- makers Pedro Costa and Marcos Prado contribute to, by means of a rare snip, an identitary and partial construction of the Portuguese and Brazilian society. …”
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Documenter la crise agraire haïtienne sous la dictature duvaliériste by Adeline Bouvard, Ariane Degroote

“…At the end of the 1970s, against a backdrop of dictatorship and extreme poverty in rural Haiti, Canadian film-makers Gérald and Paule Belkin set up a "video communication" project to shed light on the Haitian agrarian crisis. …”
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Possibilities assessment of the film cluster in the Kaliningrad Oblast functioning by A. A. Gorshkova, M. I. Kosinova

“…The article substantiates the reasons why the Kaliningrad Oblast has been and remains an attractive region for film-makers. The analysis of available opportunities in the field of film production, film education, cast and other things is carried out. …”
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Foule et public by Emmanuel Plasseraud

“…She understood that the audience, in its diversity, would dictate its tastes to the film-makers, expressing an idea that Hollywood producers had already assimilated.…”
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