Introduction to some “further adventures into the restless universe” of contemporary American fiction by Brigitte Félix

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“True fiction” – the memory and the postmemory of traumatic war events in a picturebook by Magdalena Howorus-Czajka

“…The picturebook, like other types of art, operates through the language of fiction to tell the truth. Art is one of the languages of historical narration. …”
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Atelier : La part de fiction dans le cinéma documentaire

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Privatized Futures, Climate Control, and Resistance in Recent Scottish Dystopian Fiction by Peter Clandfield

“…The essay shows how these novels also anticipate recent critical perspectives on climate change and dystopia, particularly Amitav Ghosh’s call (2016) for fiction that confronts the potentially intractable effects of global weather events, and Tom Moylan’s advocacy (2020) of works that resist presenting dystopian spectacles for passive consumption and instead call upon readers for active, constructive interpretation.…”
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Transforming the Art of Fiction: Walter Besant, Professional Service and the Society of Authors by Richard Salmon

Subjects: “…fiction…”
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Unreal Cities: the Veterans’ Homecoming and the Fate of Postwar Noir by Benoît Tadié

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Infection Rates in Open Fractures of the Tibia: Is the 6-Hour Rule Fact or Fiction? by Ameya S. Kamat

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Rendering swearing across cultures: arabic professional subtitles and fansubs of pulp fiction by Yousef Sahari

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Steven McLean. The Early Fiction of H.G. Wells: Fantasies of Science by Keith Williams

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De la fiction financière et de son ante-validation politique by Cédric Durand

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Barri J. Gold, Energy, Ecocriticism, and Nineteenth-Century Fiction: Novel Ecologies by Xu Xiao

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Utopia or the Anti-Tahrir. The worst of all worlds in the fiction of A. K. Towfik by Delphine Pagès-El Karoui

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Gendered Cartographies in Melissa Scott’s Science Fiction: Queering Shadow Man (1995) by Beatriz Hermida Ramos

Subjects: “…science fiction…”
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International Conference: Ben Lerner “Edge of Genre”: Poetry, Fiction, Artistic Collaborations by Sean Mark, Teresa Teklić

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Le film de tournage shakespearien : fiction documentarisée ou documentaire fictionnalisé ? by Sarah Hatchuel

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Talia Schaffer, Novel Craft : Victorian Domestic Handicraft and Nineteenth-Century Fiction by Nathalie Saudo-Welby

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Desperately looking for the truth: The traps and trappings of crime fiction in Charles Palliser’s The Unburied by Catherine Mari

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THREATENED MASCULINITY IN ARTHUR CONAN DOYLE’S IMPERIALIST DETECTIVE FICTION: THE SIGN OF FOUR by Enes Kavak

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