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  1. 61

    Fiction books translations for children: publishing in Lithuania in 1940-1990 by Vita Mozūraitė

    Published 2024-08-01
    “…Between 1940 and 1990, 1881 translated fiction books for children were published in Lithuania. …”
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    A Corpus Based Analysis of Sympathy in Language: Constructed Victimhood in Fiction by Azka Khan

    Published 2024-09-01
    “…The study suggests further exploration into the phenomenon to understand whether the identified discursive techniques used for portraying victim characters are unique to Pakistani anglophone literature or it is used by English fiction writers in general. This research opens new avenues for future studies to understand the language of victimhood in larger corpora.…”
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  5. 65

    Nancy Drew Revisited: Female Private Eyes in Contemporary American Fiction by Isabelle Roblin

    Published 2004-12-01
    Subjects: “…contemporary American detective fiction…”
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    Representation of Fictional Characters with Disabilities in Selected Crime Novels of Oͅládèͅjoͅ Òkédìjí by Oͅlálérè Adéyeͅmí

    Published 2023-05-01
    “…He identifies with the plights of a person with a disability, they are mostly victims of poverty, hunger, and crimes in the Post-colonial Nigerian society; and treats all the fictional characters with dignity and honor in line with Yorùbá thoughts and beliefs.  …”
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    Virtual Immersive Models for Viewing Social Science Fiction in European Cinema by Federico O. Oppedisano, Daniele Rossi

    Published 2018-06-01
    “…In particular the study focuses on the enhancement of some European sociological science fiction movies. In this sense, immersive virtual reality, experimentally, has been used to realize and explore models capable of representing the quality of the space and emotional conditions present in the selected movies. …”
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    The influence of urban space in dramatic conflicts: transnationality in Mexican fiction films by Silvana Flores

    Published 2022-12-01
    “… Through this article we will analyze a corpus of Mexican fiction films of its classic-industrial period, produced by Pedro and Guillermo Calderón, Palabras de mujer (José Díaz Morales, 1946) and Maternidad imposible (Emilio Gómez Muriel, 1955), that have as a common nexus the interurban transfers, based on the migration phenomenon, the exploitation of a transnational cast and the influences of differentiated urban spaces in the narrative conflicts. …”
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