Žánr na hraně: inovativní rysy české záhadologické prózy by Іво Поспішил

“…Tento typ nonfikce (věcné literatury) a často umělecký ráz krásné literatury (fiction), který se zbavuje odpovědnosti za striktní racionalismus a jediný správný pohled sdílený vědeckým mainstreamem. …”
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PHILOSOPHICAL REPRESENTATION OF FEMALE ARTISTIC IMAGES IN OBJECTIVISM by A. O. Muntian

“…It is argued that philosophy itself may well be perceived through a literary work of fiction, thus making artistic images prototypes of philosophy functionaries. …”
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L’histoire peut-elle se faire avec des archives filmiques ? by Laurent Véray

“…Œuvrant avec une scénariste de fiction, Agnès de Sacy, il a centré son récit sur deux opérateurs de prises de vue, un Français et un Allemand, pendant le premier conflit mondial. …”
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Baiser la littérature by RER Q collectif d’autriX

“…In this selection of writing, an archive of a performance given at the feminist festival Comme Nous Brûlons, food touches science fiction, dildos and membranes proliferate, hearts break and every fictional hero is a dyke.…”
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Sociabilités populaires et relations électives by Béatrice Laville

“…This article proposes to analyse the question of popular sociability in Zolian fiction. In addition to the question of the spaces where the dramatisation of social relations is played out with its codes and rites and the processes of domination inherent in the life of the groups, the question of money and with it, gain, debt and expenditure, imposes itself as a regulation of the modes of relation. …”
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Pérégrinations et pérégrinismes dans le roman britannique du xixe siècle : Casuistique du détour par la langue étrangère by Jacqueline Fromonot

“…It will appear that the use of xenism in fiction is related to the quest of truth and truthfulness—in accordance with the Realist project. …”
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Les fonctions sociales du cinéma selon Emmanuel Bove by Christophe Trebuil

“…For Bove, cinema, far from being an artefact in fiction, cannot be separated from of the life.…”
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Quadriptyque narratif autour de la Seconde Guerre mondiale by Joëlle Ginestet

“…Four works of fiction about the Second World War published by the Institut d’Etudes Occitanes between 1951 and 1978 fostered the renewal of the narrative form in Occitan fictionalized writings. …”
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Monuments flaubertiens by Véronique Samson

“…We interpret this combination of hypermnesia and amnesia as a problematic attempt to produce a memory of the text itself: in their final pages, Flaubert’s novels appear to be erecting their own monuments, while suggesting their inadequacy. Fiction, here, is at one and the same time the space in which a ‘memory crisis’ is unfolding and the very object of this crisis.…”
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Historical Memory of the First World War: Notes on its Shaping in Russia and in the West by E. S. Senjavskaja

“…The picture of the military events of 1914 – 1918 in Russian and foreign fiction literature has been given on the comparative basis.…”
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Le trophée de chasse dans la littérature cynégétique, une anthropomuséologie des restes animaliers by Antoine Jeanne

“…The author thus reflects on the way in which the ethnologist mobilises narrative and fiction to explore the imaginations of contemporary hunters and to conduct anthropomuseological research of the hunting trophy.…”
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A volta da realidade das margens by Paulo Roberto Tonani do Patrocínio

“…The path explored is anchored in the reading of contemporary texts that highlight aspects that establish the return of a literary project that has the search for a review of Brazilian reality within fiction as its main axis.…”
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From Sensationalism to Sensation: Brian Evenson’s Affecting Texts by Nawelle Lechevalier-Bekadar

“…Brian Evenson’s work forcefully resists literary categorization, playfully mixing then deconstructing genres such as the Gothic, the western, post-apocalyptic fiction, magic realism to name but a few. Yet several short stories and novellas seem to strive towards a common fantasy: achieving sensation. …”
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Alàgbà Adébáyọ̀ Fálétí as a Yorùbá Novelist by Lere Adeyemi

“… In their introduction to a book entitled: Yorùbá creativity, fiction, language, life, and songs, Falola and Genova (2005) assert that creativity among the ̣ Yorùbá has a long history and the traditions of oral histories, storytelling, performances and dramas are parts of fundamental habit of their civilization. …”
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From Dickens’s Theatrical Performance to Contemporary post Dickensian Narrative and Artistic Performance (Acker, Ackroyd, Waters and Rushdie) by Georges Letissier

“…Sarah Waters’s fictions, notably Fingersmith, have been almost unanimously praised for their plots, described as sheer “tour de force”. …”
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Relíquias da casa velha: literatura e ditadura militar, 50 anos depois by Tânia Pellegrini

“…The assumption is that the cultural industry consolidation has produced in a tensioned way, significant modifications in the preexistent matrixes of Brazilian fiction, mainly in its themes, which translated the mallaise and perplexity of those difficult years, as well as their derivations to this day.…”
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Dickens et Gaskell ou les difficultés mid-victoriennes à dire le vieillir by Marianne Camus

“…The strategies used to avoid the representation of ageing—disguise, shifts, transmutation—will be looked into, as well as their relation with the spirit of the time. For fiction constructs as much as it reflects, not only the representation, but also the perception of ageing with its fears and its attempts at acceptance.…”
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« Io sono il fu Mattia Pascal » : l’envers du personnel comme devenir du héros by Florence Pellegrini

“…En prenant appui sur le premier roman publié par Luigi Pirandello, Il fu Mattia Pascal (1904), on envisagera la reconfiguration du protagoniste qu’opère la fiction pirandellienne, dans un itinéraire qui va de la déperdition à une forme de libération paradoxale, qui n’est pas sans rapport avec l’évidement du personnage qu’initie le roman flaubertien.…”
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« Somnambulisme », ou l’après-coup de la métaphore by Marc Amfreville

“…This essay aims to show that “Somnambulism,” a short story by Charles Brockden Brown published in 1799 foreshadows several Freudian tenets that allow, in turn, to fully measure the symbolic purport of this fiction. Reading thus becomes bidirectional, obeying the very principle of Nachträglichkeit (deferment or belatedness). …”
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A narrativa entre aspas de Bernardo Carvalho: legitimação e paratopia em um estudo de Onze: uma história by Paulo César Silva de Oliveira

“…The connections between local and global; author policies and text policies; as well as the place held by the Brazilian fiction in the contemporary scenario will be investigated inside Bernardo Carvalho’s textual machine, aiming at establishing limits and reaches of his writings regarding a modernity constituted by displacements, border crossings, and the dilution of political, geographical and fictional frontiers.…”
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