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Engineering Drawing and Design /
Published 1990Subjects: “…Mechanical drawing. 1343…”
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Principles of Technical Drawing /
Published 1992Subjects: “…Mechanical drawing. 1343…”
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THE MAIN CHARACTERISTICS OF LUBRICATION FOR WIRE DRAWING FOR METAL CORD, THEIR INFLUENCE ON DRAWING QUALITY
Published 2008-05-01“…The connection of some parameters with quality of both the drawing process and finished wire is shown.…”
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Problems in Enginnering drawing and geometry
Published 1966“…problems in Engineering Drawing and Geometry,…”
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Problems in Enginnering drawing and geometry
Published 1966“…problems in Engineering Drawing and Geometry,…”
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Engineering drawing with worked examples/
Published 1960Subjects: “…Mechanical drawing 1343…”
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Drawing the Map: Siting Architecture
Published 2010-06-01“…Focusing on the phenomenological dimension of drawing and the epistemological bearings of mapping, the paper reveals some of the ways in which architects can question the relation between architecture and time through their graphic representation.…”
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Clock-Drawing in Neurological Disorders
Published 1989-01-01“…Clock-drawing is a widely used bedside test of constructional ability, but it has never been systematically studied or standardized. …”
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Sol LeWitt. The Conceptuality of Drawing
Published 2018-06-01“… Two significant faxes can be found in the archive of the ‘Pietro Vannucci’ Academy of Fine Arts in Perugia: they are worthy of note both because they are signed by two well-known personalities (Sol LeWitt and Bruno Corà) and because they markedly represent a genuine manifesto which is theoretically capable of healing the fracture that traditionally separates architecture and art history in matters of drawing intended as a form of thought. In the first fax, dated March 22, 1995, LeWitt (at the time residing for long periods in Spoleto) tells his friend Bruno Corà (then professor of Art History in the Academy) about the delivery of the maquette of a work created specifically for Perugia [1]: an ‘open cube’ (the solid form most loved by LeWitt [2]) which, as an element of the exhibition project City and Art, aimed at injecting viral works into extra moenia urban areas of symbolic interest, was to be exhibited in the portico of the large public building built in those same years by Aldo Rossi and located on the western side of the Piazza Nuova in Fontivegge [3]. …”
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