Dramaturgies of Contagion in Contemporary British Speculative Theatre by June Xuandung Pham

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The Lion’s Share of Laughter: A French Angle on the Dramaturgy of Pyramus and Thisbe by Richard Hillman

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Form und Dramaturgie in Beethovens Violinkonzert . Zur Interpretation des Kopfsatzes durch Rudolf Kolisch und René Leibowitz by Jan Philipp Sprick

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Robert Rabenalt, Musikdramaturgie im Film. Wie Filmmusik Erzählformen und Filmwirkung beeinflusst, München: edition text + kritik 2020 by Matthieu Stepec

Subjects: “…dramaturgie…”
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Eine »Grille« in »Händels Manier«?. Kompositionstechnik, soziale Symbolik und Dramaturgie in der zweiten Donna-Elvira-Arie aus Mozarts Don Giovanni by Tihomir Popovic

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Ubuntu as a Dramaturgical Tool for Building Community in Protests by Refiloe Lepere, Tebogo Radebe

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Du concept psychiatrique à la métaphore théâtrale : le miroir de l’Autre dans les dramaturgies postcoloniales de Caryl Churchill et de Nick Gill by Liliane Campos

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THE TONAL AND THE INSTRUMENTAL SYMBOLISM IN “MAGNIFICAT” (BWV 243), D MAJOR, OF J. S. BACH by Gabriela Coca

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“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

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Jarring Voices: Preserving and Releasing Memory in Suzan-Lori Parks’ Pickling (1988) by Marie Pecorari

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Ce que l’anthropocène fait (faire) by Yann Calbérac

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The Short Dramatic Form in the Works of Kostas Ostrauskas and Juozas Erlickas by Neringa Klišienė

Subjects: “…contemporary dramaturgy…”
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Le puits de ténèbres — Rencontre avec Guillaume Séverac-Schmitz, metteur en scène, et Clément Camar-Mercier, traducteur et dramaturge, autour de La Duchesse d’Amalfi (Création, Cra... by Line Cottegnies, Guillaume Séverac-Schmitz, Clément Camar-Mercier

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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os by Pierre Longuenesse

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Zyklizität und Drama(turgie) in Scelsis viertem Streichquartett by Volker Helbing

Subjects: “…Dramaturgie…”
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Klangfarbe und musikalischer Zusammenhang. Beobachtungen zum Orchestersatz Richard Wagners by Johannes Kohlmann

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Neighborhood group chats as a subject of offline sociology by K. A. Ivanov

“…The communicative side of neighborhood chat is proposed to be considered through the prism of E. Goffman’s “dramaturgy”. Conceptualizations of the basic concepts of “dramaturgy” in the context of digital neighborhood interaction are proposed. …”
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“A Hollow Sham”: The Representation of War in Bernard Shaw’s Victorian Plays by Stéphane Guy

“…Shaw’s war plays unfold a dramaturgy of verisimilitude aiming to break down artifice and playing with the very principle of representation of conflict on the stage.…”
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La peur du prolétaire et les paradoxes du socialisme shavien dans Widowers’ Houses by Stéphane Guy

“…Beyond the fear that is represented throughout and the dread of capitalism that it seeks to bring about among the Victorian public, the play builds up a dramaturgy of threat, breaking with the fashionable theatres of late nineteenth century London and paradoxically making the proletarian into both a victim and symptom of capitalist immorality.…”
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THE RHYTHMICALLY, MELODICALLY AND RHYTHMIC-MELODICALLY ANALOGIES IN RICHARD WAGNER’S OPERAS by Gabriela Coca

“… In Richard Wagner’s opera the composer put the rhythm both in the service of the musical dramaturgy and also in the melody, the harmony, the polyphony, the orchestration and the musical form. …”
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