Masonic Ritual and the Display of Empire in 19th-Century India and Beyond by Simon Deschamps

“…Masonic ritual, therefore, held centre stage in the dramaturgy of colonial power in India, and also played a leading role in fostering the cult of Empire, which emerged in the last decades of the 19th century. …”
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Dépossessions : le rôle de la chorégraphie dans A Dance of the Forests et The Bacchae of Euripides de Wole Soyinka by Kerry-Jane Wallart

“…I shall attempt to understand how theatre might be reinforced by dancing, an immediate, a corporeal art, the intrusion of a dramaturgy that is freed from the text. I wish to show that it provides for a minimization of the necessity to make sense and allows the spectator to access the symbolical realm as understood by Baudrillard. …”
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Beobachtungen zum Verhältnis von Form und Instrumentation am Beispiel des Menuetts aus W. A. Mozarts Sinfonie Nr. 40 in g-Moll KV 550 by Emmanouil Vlitakis

“…The connections between these aspects – often investigated separately – prove to be relevant in terms of dramaturgy, whereupon timbre being definitely able to interprete and to shade the textural ›structure‹ and its form(ation).…”
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La dimension vocale de la propagande by Oksana Bulgakowa

“…The vocal dimension of propagandaThe visual aspect of the propaganda films, the manipulation produced by montage, dramaturgy and the specific relation between the text of the comments and presented images attracted comprehensibly much more attention than the voice used in the war propaganda films. …”
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The Concept of Fiesta in Spanish National and Cultural Vision of the World by E. V. Astakhova

“…This concept reflects various vectors of quotidian life, religious and popular holidays with their complicated details and special dramaturgy, penetrates to every day communication and behavior. …”
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The Humour and Novelty of Congwayndut Puppet Group: An Overview of Performance Studies by Gendot Dekanipa, Aris Setiawan

“…As a dynamic cultural event, the contemporary art of the Congwayndut group is always produced with a unique dramaturgy, contemporary and innovative setting. Congwayndut provides a sense of humour with an all-ages segmentation to entertain audiences. …”
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Relaciones hipertextuales en la primera etapa de Rodolf Sirera (1969–1977) by Ramon X. Rosselló

“…Secondly, we will discuss the relationship of Sirera’s writing with epic theatre, one of the dramatic genres that had the most significant impact on dramaturgy in Spain in the second half of the 1960s and early part of the 1970s. …”
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Expressions of a backlash: Challenging the story of success in Norwegian cinema of the 1980s and 1990s by Fosheim Lund Maria, Kielland Servoll Johanne, Holtar Ingrid Synneva

“…In Norwegian film history, this decade is known as “the helicopter period” and is associated with a turn towards commercial genre film and classical dramaturgy. This has usually been narrated as a success story for Norwegian cinema. …”
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“De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933 by Khairana Zata Nugroho, Singgih Tri Sulistiyono, Dhanang Respati Puguh

“…Through historical method, this anomaly is examined through the performances of two Indische toneel namely Karina Adinda and Boeddhakind, Indische toneel that combined West dramaturgy with Javanese performances such as gamelan and traditional dances. …”
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The Spatial-Temporal Canvas That We Call the Stage: Text and Performance in Final Solutions by Ananya Ghoshal, Manivendra Kumar

“…Scholars Jisha Menon (2013) and Aparna Dharwadker (2005) commend Dattani’s ‘innovative’ dramaturgy for realistically representing the urban-middle-class home along with the complex social issues pervading this social milieu. …”
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Synchron und diachron. Zum Zusammenhang zwischen Kontrapunkt und Prozessualität in romantischer Formensprache by Ariane Jeßulat

“…Analyses of three works by Schumann, Brahms and Mendelssohn together with a critical reading of Johann Christian Lobe’s Lehrbuch der musikalischen Komposition are used to demonstrate cases of processuality, whose development and dramaturgy defy the conventional imagery of ‘organic form’ despite remaining completely intact as musically functional contexts.…”
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Eine Diskursgeschichte der ›Diabelli-Variationen‹. Makroform und Interpretation im Spiegel analytischer Texte aus 200 Jahren by Cosima Linke

“…Finally, a film recording of the “Diabelli Variations” with the pianist Piotr Anderszewski (2000) is discussed, as it illuminates an individual interpretational approach to the macroformal dramaturgy of the cycle.…”
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Klang als Poetik und Form. Instrumentatorische Beobachtungen und Adornos »unendliche Streicherperspektive« in Maurice Ravels Pavane de la Belle au bois dormant aus Ma mère l’oye... by Emmanouil Vlitakis

“…Die Orchesterfassung der Pavane de la Belle au bois dormant von Maurice Ravel (1911) wird hier in ihrem Verhältnis zur ursprünglichen Klavierfassung (1910) sowie in ihrer spezifischen Ausgestaltung des Spannungsfelds von Form, Dramaturgie, Poetik und Instrumentation untersucht. …”
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BOOK REVIEW: CIPRIAN PORUMBESCU NECUNOSCUT (CIPRIAN PORUMBESCU UNKNOWN), PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X) by Gabriela COCA

“…Within it have been presented the following papers dedicated to the composer's life and activity: Leca Morariu and the Monumental Monograph Worshiped to Ciprian Porumbescu (author: Vasile Vasile – from the University of Piteşti); The Architectural and Tonal Support of the Dramaturgy of the “Crai nou” (New Philanderer) Operetta by Ciprian Porumbescu (author: Gabriela Coca – from the Babeş-Bolyai University of Cluj-Napoca); “Balada” (The Ballad) of Ciprian Porumbescu – a Representative Creation of the Art Music of Bucovina (19th century) (author: Zamfira Dănilă – from the “George Enescu” Academy of Art - Iaşi); The Reception of Ciprian Porumbescu’s Creation in Banat (author: Constantin Tufan Stan – from the Filaret Barbu School of Fine Arts of Lugoj); „Altarul Mănăstirii Putna” (The Altar of Putna Monastery) (author: Sever Paraschiv Dumitrache – from the Bucovina Cultural Center of Suceava); and The Musicological Trilogy “Ciprian Porumbescu Unknown” to an end (autor: Constanţa Cristescu – from the Bucovina Cultural Center - Suceava). …”
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Exzentrisch geformte Klang-Landschaften. Dimensionen des Zyklischen im Lichte von 106 Tonaufnahmen von Schuberts Winterreise aus dem Zeitraum 1928–2020 by Christian Utz

“…On the basis of the multitude of transposition variants on which the recordings are based, a new view of the macroharmonic tonal structure of Schubert’s work is suggested (also drawing on Neo-Riemannian theory); it is also shown how the decision to use a certain transpositional variant may have a fundamental impact on cyclical dramaturgy. A discussion of durations, initial tempos, and percentages (weighting of songs and song groups within the total duration) in the 106 recordings examined generates a distinction between five macroformal models, which in some interpretations are implemented concisely: frame model, internal model, opening model, finale model, and balance model. …”
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Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis by Olayinka Agbetuyi

“…Fálétí demonstrates the mastery of dramaturgy in Àfọ̀njá and Gáà by juxtaposing the dynamics of running a state originally built on a confederation of city state structure very much like the Greek city state structure, at the latter’s comparative stage of political evolution, with a new imperial structure and the conflicts generated by the flux of the two systems; whereas in Ṣawo Ṣẹ̀gbẹ̀rì moral conflict is generated by interpersonal amatorial clashes as well as models of expertise. …”
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La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill by Élisabeth Angel-Perez

“…Among the most innovating experimental dramaturgies of this new millenium, constrained (verbatim or post-wittgensteinian) theatre ranks first. …”
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From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy by Ignacio Ramos Gay

“…My aim is thus twofold: first to recognize the debt British playwrights contracted towards French drama and, secondly, to state that French theatrical stereotypes, even when being the main cause of native playwrights’ drowsiness, were also the first step towards the renaissance of English drama, as it can be observed throughout Oscar Wilde’s, Pinero’s, Gilbert’s and Jones’s dramaturgies.…”
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Jean Painlevé : de la science à la fiction scientifique by Florence Riou

“…Et, en tirant du contenu scientifique lui même la substance et la dramaturgie de ses histoires, il propose une mise en fiction de la science qui renouvelle le genre documentaire.…”
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From Komedie Stambul to Toneel: Theatre Arts Development in Batavia, 1891-1942 by Khairana Zata Nugroho, Dhanang Respati Puguh

“…This group soon became popular because their uniqueness: the hybridity of their dramaturgies and stories which combined the West and East aspects. …”
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