LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE by Diana TODEA

“…Opera performances are characterized in the seventeenth century by heterogeneity which brings together in the musical-drama perspective, both tragic and comic situations. …”
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Poets and Puppets: Interarts Collaboration in Alfred Kreymborg’s Lima Beans by Yasna Bozhkova

“…The play’s novel aesthetics breaks with the principles of the realist dramas typical of the time and favored even by more experimental groups like the Provincetown Players. …”
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JUSTICE AS BEAUTY-IN-ACTION? INSIGHTS FROM HANS URS VON BALTHASAR’S AESTHETICS AND DRAMATICS by M.J. Havenga

“…This is then followed by an exposition of Von Balthasar’s theological dramatics, as developed in his work Theo-drama, which shows how, for Von Balthasar, this beautiful form of Christ is not merely a static image, icon, or artwork but, in fact, a dynamic event, a dramatic act, an embodied performance which reveals to us, along with God’s glory and beauty, God’s unbounded goodness. …”
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William Shakespeare, lector de «El Príncipe» de Maquiavelo: el caso de «Ricardo II» by David Jiménez Castaño

“…En este trabajo analizaremos el drama Ricardo II de William Shakespeare a través del inmortal texto de Nicolás Maquiavelo El Príncipe. …”
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Entropic Entanglement: Information Prison Break by Alexander Y. Yosifov, Lachezar G. Filipov

“…Furthermore, we restore the unitary evolution by introducing extra quanta which departs slightly from the generic Hawking emission without changing the experience of an infalling observer (no drama). Also, we suggest that a possible interpretation of the Bekenstein-Hawking bound as entanglement entropy may yield a nonsingular dynamical horizon behavior described by black hole thermodynamics. …”
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Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

“…Nevertheless, Yeats’s reference when he aims at the ecstasy or “tragic joy” of his drama’s heroes remains those magnetic french “golden voices”.…”
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Mères et fils dans le théâtre de la Renaissance anglaise by Marie-Hélène Besnault

“…Seeking dialogues between mothers and sons as moving and dramatically efficient as the French “Quatre Requêtes de Notre-Dame” results in finding no significant verbal exchanges in English biblical drama, moralities, interludes, and even early tragedies. …”
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Does the Strasbourg European Court protect all human rights equally? by Javier Borego Borego

“…The text then delves into St John Paul II's early fascination with literature and drama, emphasizing his resistance to Nazi occupation through cultural means.  …”
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Ni sueño ni pesadilla: diversidad y paradojas en el proceso migratorio by Martha Cecilia Ruíz

“… Las generalizaciones, el drama y la tragedia caracterizan los discursos sobre la reciente migración de ecuatorianos y ecuatorianas hacia el exterior. …”
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Ecos en la educación desde una lectura de Walter Benjamin en torno a la experiencia by Rosa María Moreno Cardona

“…Este trabajo realiza una reflexión alrededor de la vida de Walter Benjamin y su obra, centrada en 5 de sus textos: La obra de arte en la época de su reproductibilidad técnica, Sobre algunos temas en Baudelaire, Experiencia y pobreza, El narrador y el capítulo introductorio de El origen del drama barroco alemán. A través de estos textos es posible realizar una aproximación al análisis de la experiencia humana, la experiencia del arte y el asunto de la reproductibilidad técnica como elementos indispensables para pensar las nuevas posturas que la educación puede y debería concebir y abordar, para insertarse en las nuevas formas de subjetivación que trae consigo el acelerado mundo tecnológico que hoy vivenciamos.…”
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TYPES OF IMPLICATURE IN INFORMAL CONVERSATIONS USED BY THE ENGLISH EDUCATION STUDY PROGRAM STUDENTS by Endry Sri Rahayu Sri Rahayu, Safnil .

“…The suggestions, the study about implicature should be conducted in different area such as movie, drama or others, to give enrichment information in the Pragmatics study. …”
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The Humour and Novelty of Congwayndut Puppet Group: An Overview of Performance Studies by Gendot Dekanipa, Aris Setiawan

“…Regarding to the case, this paper attempts to examine performance studies through the use of performance studies reading schemes, social drama theory, and trickster in cultural practice. …”
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Analisis Strategi Pemasaran Politik Kampanye Kukuh Haryanto Sebagai Calon Legislatif DPRD Kabupaten Wonogiri Dalam Kontestasi Pemilihan Umum Tahun 2024 by Shildamullah Danendra Mukti Ardana, Titin Purwaningsih

“…This election was marked not only by the drama surrounding presidential and vice-presidential candidates but also by political maneuvers and the creative campaign strategies of legislative candidates from various political parties. …”
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El sino de La llama doble de Octavio Paz by Omar Astorga

“…Y el concepto de cuerpo, desde el cual aparece con más claridad el drama ontológico del amor.…”
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The evolution of historical forms of chinese theater and integration of visual arts by HAN LIN

“…From the early period of the Song Dynasty, when theatrical forms were just beginning to take shape, to the flourishing of zaju drama during the Yuan era, Chinese theater has undergone significant cultural and political changes. …”
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DEVELOPMENT OF A PROJECT BASED ONLINE LEARNING MODEL TO IMPROVE THE SKILLS AND ABILITIES OF ACTORS FOR STUDENTS by Welly Suryandoko

“…The implementation stage of this research is only until development is carried out in the drama, dance, and music education study program with students consisting of one Sendratasik study program consisting of 3 traditional theater, actor, and educational theater courses. …”
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Intertexte et réécriture du Drame de l’Homme, de la Femme et de Dieu dans 'Partage de midi' de Paul Claudel by Samuel Bidaud

“… This article examines the way in which Paul Claudel, in Partage de midi [Break of Noon], actualizes and rewrites several founding texts whose themes echo those of his play – which represents nothing more than the Drama of Man, Woman and God, based on an autobiographical source, Claudel’s love for Rosalie Vetch. …”
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Sword of heaven by Richard Wilson

“…It was Middleton’s tampering with Shakespeare’s text that transformed it from a drama of demonic substitution, focused on the ‘outward-sainted deputy’ [3.1.93] into an allegory of divine sovereignty, idealizing the monarch as a deus ex machina. …”
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