Un « opéra radiophonique » : Ariane de Georges Delerue et Michel Polac by Jérôme Rossi

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Bouches béantes et voix blanches dans le théâtre de Howard Barker by Vanasay Khamphommala

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The Polyphonic Structure of John Lyly’s Plays by Francis Guinle

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Portrayal of gender roles in Emirati television dramas: a content analysis by Viola Gjylbegaj, Ahmed Farouk Radwan

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‘Laugh a defiance, Laugh in hope’: Suffrage Comedy and Humour as Political Protest by Eleanor Stewart

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Nuda codzienności w sztuce Marzec Iriny Waśkowskiej by Paulina Charko-Klekot

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Evolving Attitudes To the American Dream: Death of a Salesman in the Turkish Context by Laurence Raw

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“I Don’t Think I Have an Attention Span for Real Life Anymore”: Excessive Stimulation, Sense of Meaninglessness, and Boredom in Sam Levinson’s Euphoria by Anna Pochmara

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The creative history of Naki Isanbet’s comedy “Red-haired chichyan and Black-haired beauty” by Zamaletdinov R.R., Khabutdinova M.M.

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Kitsch and Avant-garde Television in Blackpool (Peter Bowker, BBC, 2004) by Nicole Cloarec

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Energy and presence: A journey from theatre lab to teacher training by Isabelle Gatt

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La música como servidora del drama en la zarzuela El cóndor pasa... de Daniel Alomía Robles by Luis Fernando Ruiz-Pacheco

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L’autre scène dans The Three Birds de Joanna Laurens (2000) : enjeux dramatiques de la réécriture d’un mythe by Solange Ayache

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Avant-propos : Représenter l’histoire immédiate sur les scènes britanniques modernes et post-modernes by Élisabeth Angel-Perez, Line Cottegnies, Virginie Yvernault

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Pemanfaatan Pertunjukan Drama “Ulang Durhaka” Sebagai Media Pembelajaran Untuk Meningkatkan Efikasi Diri dan Pendidikan Karakter Siswa SMA Harapan Medan by Rin Prabuwati, Kristiwan Indriyanto, Sartika Sari

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« Une splendide anomalie ? », le Pilgrim’s Progress de Ralph Vaughan Williams by Gilles Couderc

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Атрофия разума: Юрьев день Кирилла Серебренникова by Edyta Fedorushkov

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Les Montand-Signoret jouent Arthur Miller. La première française des Sorcières de Salem by Julie Vatain-Corfdir

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Enseñanza contextualizada para miembros de la subcultura del heavy metal a través de técnicas teatrales by Amalia Ortiz de Zárate, María Nicol Guarda

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“This is 1986. This isn’t like the 60s and 50s”: Locating the Long Civil Rights Narrative in Just Mercy (2019) by Johanne Østergaard, Mikkel Jensen

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