A representação do empoderamento feminino na teledramaturgia brasileira by Jéfferson Balbino

“…Creada por el director Daniel Filho, una serie y un hito en la historia del drama televisivo brasileño, es un trabajo mediático que se enfoca en detener el conservadurismo actual en nuestra sociedad y traer al centro de discusión un nuevo perfil de la mujer brasileña: independiente y dueña de sí misma. …”
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Teacher’s strategies for stimulating EFL students’ active learning in an Indonesian senior high school by Nikmatus Solikhah, Muhammad Jauhari Sofi

“…The study revealed ten effective strategies implemented by the teacher at the school to stimulate active learning, namely encompassing visual-based instruction, problem-solving methods, computer-based instruction, cooperative learning, drama techniques, role-playing, games, peer teaching, Jigsaw learning, and panel discussions. …”
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The Spatial-Temporal Canvas That We Call the Stage: Text and Performance in Final Solutions by Ananya Ghoshal, Manivendra Kumar

“…These directions add theatricality and render a visual appeal to the written text, which acts as a ‘drama’ for the students and critics of literature and a ‘fabel’ or a blueprint for other directors. …”
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Non-Fiction from a Historical Perspective: Situation of Lithuanian Statemen Amid Tragic Events of 1940–1941 by Юрате Ландсберґіте-Бехер

“… Non-fiction literature has become the crucial historical drama of the present, with its power to change the fate of the state and its interpretations. …”
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La representación mediática en los medios digitales de la violencia en contra de los líderes sociales en Colombia, 2018-2021 by Juan David Cárdenas Ruiz

“…Se concluye que la representación mediática de estos actos violentos por parte de los medios digitales puede contribuir a la construcción de una opinión pública con una visión parcial del problema, despojándolo de su causalidad política y proveyéndolo de atributos de orden público y drama social.…”
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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os by Pierre Longuenesse

“…On the other hand, through a subtle relationship between the visual and aural, and the new form taken by speech and enunciation, it is the role of the voice, according to defined protocols, to express this presence-absence and this drama of an impossible return. This type of spectral projection is furthermore intensified by the fact that the “theatrical representation” is only conveyed to us through the eyes – or possibly dreams – of a group of musicians, without any stage direction, which might situate this visual and aural universe in a given system of reference. …”
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Nowe metody i nowa jakość w badaniach marketingowych przeprowadzanych wśród dzieci. Badania marketingowe przez kreatywne sposoby spędzania czasu: studium przypadku PLAYDO by Jolanta Maj

“…W artykule przedstawione zostało case study projektu badawczego PLAYDO wpisującego się w podejście creative drama. Badania prowadzone w ramach projektu badawczego PLAYDO prowadzone są w formie zabaw. …”
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Ombres et lumières croisées : l’appropriation prométhéenne de la lumière dans les peintures de Wright of Derby (1734-97) et John Martin (1789-1854) by Muriel Adrien

“…Religious allusions seem hijacked so to say as if to underline the secularization of light and the increased prestige of man who is initiated with the mysteries of the universe and seeks to take control.In the same spirit, the later Italian paintings do not hesitate to outperform the drama of night light, by magnifying or exaggerating the pictorial scenography of the night performances, undoubtedly influenced by the contemporary staging devices which exploit new knowledge in light, mainly the diorama, the transparencies, and soon enough the eidophusikon. …”
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Peningkatan keterampilan membaca memindai melalui strategi the power of two pada siswa by Eti Sunarsih, Masweni Masweni, Fitri Fitri

“…Berdasarkan penelitian ini, maka disarankan agar guru khususnya guru bahasa Indonesia menggunakan model kooperatif tipe The Power Of Twountuk meningkatkan keterampilan siswa dalam membaca teks drama.…”
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İzleyicilikten Katılımcılığa: Türkiye’de Dijital Yerlilerin İnteraktif Sinemada Yeni Görme Kültürü Üzerine Bir Araştırma by Ferhat Zengin, Uğur Baloğlu, Yıldız Derya Birincioğlu

“…Çalışma,sinemanın dijitalleşmeyle gelişen anlatım olanaklarının izleyiciye hikâyeyi yönlendirme ve yönetebilmeimkânı sunmasına, dolayısıyla izleyici pratiklerinde ortaya çıkan değişimlere odaklanmaktadır.Araştırmanın kuramsal çerçevesi, etkileşimli ve siber drama ile çizgisel olmayan anlatı bağlamlarındasinema-izleyici ilişkisinin geçirdiği dönüşümleri ele almaktadır. …”
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Unveiling farmers’ perceptions: a citizen science and machine learning approach to exploring drivers in the adequacy and fairness of water systems by Vasilios Plakandaras, Fahad Khan Khadim, Vassiliki Kazana, Emmanouil Anagnostou, Amvrossios C Bagtzoglou

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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

“…Characters on stage bleed, tear at each other and love passionately, but most of the drama takes place in and through the language they use. …”
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Del control de las emociones a la ejecución de la venganza: la cólera femenina en Tereo de Sófocles (Frr. 583; 589 R) by María Inés Moretti

“…Ambos fragmentos se conservan en el Anthológion de Estobeo y nos interesa entenderlos en su doble valencia: por un lado, despojados del contexto del drama e insertos en la lógica interna que crea el antologista, funcionan como máximas, con valor generalizador; por otro lado, tienen un valor particular como partes sobrevivientes de una obra perdida y proporcionan información acerca de su trama, de algunos de los personajes que intervienen en ella, de las emociones que los atraviesan y del lenguaje utilizado, entre otros aspectos. …”
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Du nomadisme à la sédentarisation by Aimé Landry Dongmo, Patrice Djamen, Éric Vall, Koussou Mian-Oudanang, Doubangolo Coulibaly, Jean Lossouarn

“…This enabled them to obtain high yields in the Sahel, diversify sources of income and thus reduce auctioning their cattle, which is often considered a drama. On the other hand, farmers still hesitate to change their basic livestock farming practices. …”
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HAROLD PINTER: FROM POETICS TO POLITICS by Dilek İNAN

“…<p>Harold Pinter was giuen the Nobel Prize for Literatüre in 2005 for his contributions to British and contemporary drama. Pinter has been a theatrical institution for half a century, he has revolutionised his theatre fay being a conscientious objector in public and a political actiuist since the 1980s. …”
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“We are Performance Philosophy Problems” by Janet Gibson, Kate Maguire-Rosier, Tony McCaffrey

“…Firstly the video message sent by Different Light to the Helsinki conference and secondly The Journeyings of Different Light at the ADSA (Australasian Association for Theatre, Drama and Performance Studies) conference at the University of Auckland, New Zealand in December 2022. …”
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Ulinganishaji wa Maisha Katika Tamthilia ya Mizigo Na Ya Jamii Wilayani Mbarara. by Turinawe, James

“…Tamthilia Wamitila, (2002) katika Uhakiki wa fasihi ameeleza kuwa, neno tamthiliya kwa upana wake linatumiwa kujumuisha maneno drama na play ya Kiingereza. Kwa hiyo, tamthiliya ni utungo unaoandikwa kwa mtindo wa mazungumzo. …”
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The French Actor on the London Stage: Charles Fechter by Catherine Quirk

“…Though he first came to English prominence in legitimate drama—primarily for his unconventional Hamlet in 1861—Fechter’s particular style was deemed to be more suited to mid-century melodrama. …”
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Playful brains: a possible neurobiological pathway to cognitive health in aging by Yulia Golland, Yulia Golland, Boaz M. Ben-David, Boaz M. Ben-David, Boaz M. Ben-David, Mara Mather, Mara Mather, Mara Mather, Shoshi Keisari, Shoshi Keisari, Shoshi Keisari

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Stigmatization of people with mental illness – a matter of milieu-specific worldviews? Results from a population-based survey in Germany by Jenny Spahlholz, Eva Baumann, Sven Speerforck, Sven Speerforck, Christian Sander, Christian Sander, Matthias C. Angermeyer, Georg Schomerus, Georg Schomerus

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