Yeats et le mélange des genres : du texte à la scène by Pierre Longuenesse

“…This project transforms dramatic writing process into the creation of a multiform object, in which the issue of the drama is brought out by the tension between opposite medium : theatre on the one hand, singing, dance, tale on the other hand… This exploration involves Yeats into original collaborations on stage with composers, musicians, and dancers. In short, those manifestations of an artistic « hors-champ », far from  threatening the drama, become on the contrary the core of its expression, as a new power is, on stage, devoted to the Verb : the extra-ordinary power to arise the pneuma of singing as well as the rhythm of the dancing body.…”
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Going Through the Motions: American Bodies in Pharrell Williams’s “24 Hours of Happy” by Claude Chastagner

“…This article analyzes the strategies chosen by the dancers to represent “happiness” and raises several questions: on what basis has the selection of moves and facial expressions been made? …”
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Ethnomathematical exploration of the Remo dance as a source for mathematics learning by Eka Sulistyawati, Brenda Indah Nirmala, Dewi Hamidah

“…The research subjects were three Remo dance experts, consisting of a studio owner and two professional Remo dancers. Data were collected by interviewing the sources and observing and documenting dances. …”
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Traiettorie del filologicamente corretto. Il campo del folklore nell’operato di un maestro contemporaneo delle danze sarde by Alessandro Deiana

“…The ethnographic focus will be based on the particular trajectory of the philologically correct in the context of the practice of so called traditional Sardinian dances, with particular regard to the work of a Sardinian Campidanese dance master, who will be considered as a popular philologist moving in a multifaceted and polemic scene which includes folk troups, dance enthusiasts and dancers “in the field”.…”
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Modeling dynamics on the dance floor with directional swarmalators by Petri Toiviainen, Petri Toiviainen, Joshua S. Bamford, Joshua S. Bamford, Joshua S. Bamford, Marc R. Thompson, Marc R. Thompson

“…It establishes a quantitative framework to dissect how individuals on dance floors self-organize and generate emergent patterns in response to both musical stimuli and visual perception of other dancers. The inclusion of gaze direction allows for the simulation of realistic scenarios on dance floors, mirroring the dynamic interplay of human movement in rhythm-driven environments. …”
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Unique Design of Learning Studio Spaces: A Case Study of The Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…The term is also used for the workroom of dancers, often specified to dance studio (Eshelman Evans, 2002). …”
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Unique Design of Learning Studio Spaces: A Case Study of the Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…The term is also used for the workroom of dancers, often specified to dance studio (Eshelman Evans, 2002). …”
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Laguna de fracasos by Lagunaries

“…This group laboratory made up of dancers, performers, educators, researchers, filmmakers and archivists, takes the construction of collective knowledge and the potential of the virtual body as its nodal axis of research. …”
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Assessment of relative energy deficiency in sport and malnutrition prevalence in female endurance runners by energy availability questionnaire, bioelectrical impedance analysis and... by Samantha Sharp, Roni Mashiach-Fransis, Nicola Keay, Adrian Slee

“…REDs risk in female runners is closely related to ovulation status and may be quantified using the Dancers Energy Availability Questionnaire (DEAQ) framework, modified for use for female runners.…”
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