Santería e "salvezza". Un approccio olistico al benessere e alle relazioni interpersonali by Alessandra Ciattini

“…Drawing from a series of interviews to a contemporary dancer in Havana, who was initiated few years ago in the Regla de Ocha, this essay focuses on the complex relations between religion and health, intending the latter as the result of an achieved harmony between body and psyche. …”
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Assessment of line differentiation in the Thoroughbred horse breed using DNA microsatellite loci by L. A. Khrabrova, N. V. Blohina, O. I. Suleymanov, G. А. Rozhdestvenskaya, V. F. Pustovoy

“…The genetic distances between the lines varied in a wide range from 0.014 (Nasrullah – Northern Dancer) to 0.125 (Massine – Teddy). The correspondence to HWE was maintained in most lines, which is confirmed by the negative values of Fis. …”
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« Je la regarde et je danse » by Elena Nesti

“…In this article, I analyse the onstage danced movements of a singer-songwriter who is a non-dancer. The more she moves, the more her fans recognise the reason why they “chose” her, whey she represents them. …”
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Sumbo yoro sé ! by Camille Devineau

“…This exclamation announces what the Bwaba designate as the “strength” that the dancer’s movements show. This “strength” incudes two complementary aspects: physical strength and the strength given by “the invisible”, namely the bush spirits’ ability to act upon mask wearers, and therefore upon the human world. …”
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Realistyczny musical? Allen – Resnais – von Trier by Rafał Koschany

“…Wybrane do analizy przykłady są wyjątkowymi próbami w karierze trzech reżyserów; są to Everyone Says I Love You Woody’ego Allena (1996), On connaît la chanson (Same Old Song) Alaina Resnais (1997) oraz Dancer in the Dark Larsa von Triera (2000). Wszyscy podnieśli musical do rangi ważnego eksperymentu – jako autotematycznej wypowiedzi na temat statusu gatunku i jego ewentualnej realistycznej wersji. …”
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JEJAK SEJARAH PERGESERAN IDENTITAS AGAMIS MENJADI PUB-KULTUR DI PATI by Fathimatuz Zahra

“…While from Babad Randukuning, the story of tayub dancer struggle called “Rondho Kuning”, the first women who built dance community although initially opposed by the Duke at that time, religious identity has shifted toward pub-culture. …”
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Une éducation sentimentale ou le roman d’amour de Salammbô by Geneviève Mondon

“…The study of an unpublished passage such as that of the dancer reveals the novelist’s will to create a seductive and active character.  …”
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“Le Tétraque se perdait dans un rêve”: Concordance between Flaubert’s Hérodias and Hérodiade by Milliet, Grémont and Massenet by Clair Rowden

“…Attention is focussed on the “Dance of the Seven Veils”, recreated by innumerable dancers and musicians, particularly in the wake of Oscar Wilde’s Salomé (1893), but whom inevitably returned to Flaubert’s description of the dance as a naturalist source of inspiration which Wilde’s symbolist text was lacking. …”
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Characterization of the Effects of a Six-Month Dancing as Approach for Successful Aging by Maria Grazia Vaccaro, Giulia Izzo, Alessandro Ilacqua, Silvia Migliaccio, Carlo Baldari, Laura Guidetti, Andrea Lenzi, Aldo Quattrone, Antonio Aversa, Gian Pietro Emerenziani

“…Thirty experienced dancers (age: 71.2±5.1 years, 18 females/12 males) were enrolled from the dance school “NonSoloLiscio” of Catanzaro. …”
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Increased Insular Connectivity and Enhanced Empathic Ability Associated with Dance/Music Training by Li Gujing, He Hui, Li Xin, Zhang Lirong, Yao Yutong, Ye Guofeng, Lu Jing, Zhou Shulin, Yang Lei, Luo Cheng, Yao Dezhong

“…Previous behavioural studies have reported that dancers/musicians show a better sensorimotor ability and emotional representation of others. …”
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La représentation de la musique et de la danse dans les œuvres de Post et Wagner : une archéologie des musiques noires au Brésil by Jean-Pierre Estival

“…Frans Janzsoon Post, responsible for the painting of landscapes, villages and their inhabitants, often represented Black drummers accompanied by a few dancers. Here, we attempt to define a recurrent motif in the corpus of these works, belonging to the Dutch Golden Age. …”
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Measurement tools in the assessment of body image in the dancing context: a systematic review by Natalia Fraga-Pena, Marta Bobo-Arce

“…Primary studies of any design and language were eligible if they assessed body image in adult dancers.  Results: Eighty-eight studies were included. …”
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Development for Multisensor and Virtual Simulator–Based Automatic Broadcast Shooting System by Wonjun Lee, Hyung-Jun Lim, Mun Sang Kim

“…After developing a stage using the simulator, during rehearsal, dancers’ movements are acquired using UWB and two-dimensional (2D) LiDAR sensors. …”
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Faire, défaire, refaire les lignes by Laura Fléty

“…This article examines a spatial experience: the nature, form and stakes of a “choreographic system”, that is to say the way in which dancers organise themselves and move about during a performance. …”
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Neutrophil Migration and Adhesion Molecule Expression after Acute High-Intensity Street Dance Exercise by Leandro Borges, Alexandre Dermargos, Stuart Gray, Maysa B. Barros Silva, Vinicius Santos, Tania Cristina Pithon-Curi, Renata Gorjão, Elaine Hatanaka

“…The physical demands of street dancing may result in inflammation and changes in leukocyte numbers/function, impairing the health of dancers. Herein, we investigated the effect of street dancing on inflammation, adhesion molecules, and neutrophil function. …”
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Movement Competency Screen: Rethinking the Rating by Justine Benoit-Piau, Mélanie Morin, Christine Guptill, Sylvie Fortin, Nathaly Gaudreault

“…# Background Dancers are at high risk of musculoskeletal disorders. …”
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Balance Error Scoring System Performance Differences in Figure Skaters Based on Discipline by L. Colby Mangum, Andrew Skibski, Luk Devorski, Lindsay Slater

“…Tandem on a firm surface also showed an increase in errors for ice dancers and pairs skaters compared to singles (p\<0.001). …”
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Coordinating multiactivity transitions in dance rehearsals: spatial configurations and instructional practices by Maximilian Krug

“…The research uses multimodal conversation analysis to examine the spatial configurations and interactional practices of a professional choreographer and two nonprofessional dancers. The analysis reveals how participants create activity transitions, mobilize resources, and maintain continuity across activities, emphasizing the crucial role of spatial positioning and timing in managing transitions. …”
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« Danser la relation » by Marie Mazzella di Bosco

“…In them, dance is a tool for constructing special relational modes: through the body in motion, subtle interpersonal negotiations are at play, underlying broader relational issues that prove to be fundamental if one pays attention to the accounts and actions of the dancers. In a brief ethnography of the gestures, postures and sensory perceptions at work, this article analyses how danced interactions are induced, begun, developed and interpreted, thus shedding light on the nature of these relational modes proper to dance.…”
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The beauty of sorrow: by V. Tendenan

“…Lastly, the Ma’badong dance affirms that God is present in the dancers’ sorrow. This article presents the Ma’badong dance as a profound theological aesthetic, where sorrowful movements become beautiful, facilitating remembrance of self, others, and God. …”
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