Information management in interactive and non-interactive suspenseful storytelling by Pablo Delatorre, Carlos León, Alberto Salguero, Manuel Palomo-Duarte, Pablo Gervás

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Towards transformational creation of novel songs by Jukka M. Toivanen, Matti Järvisalo, Olli Alm, Dan Ventura, Martti Vainio, Hannu Toivonen

Subjects: “…computational creativity…”
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Dynamic emphatical narration for reduced authorial burden and increased user freedom in interactive storytelling by Gonzalo Méndez, Raquel Hervás, Pablo Gervás, Alejandro Martín, Frank Julca

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Towards a computational- and algorithmic-level account of concept blending using analogies and amalgams by Tarek R. Besold, Kai-Uwe Kühnberger, Enric Plaza

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Log-Based Analysis of Creativity in the Context of Computational Thinking by Rotem Israel-Fishelson, Arnon Hershkovitz

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A methodology to forecast some attributes of an automatic storyteller’s outputs by Iván Guerrero Román, Rafael Pérez y Pérez

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A computational model of the cognitive impact of decorative elements on the perception of suspense by Pablo Delatorre, Carlos León, Pablo Gervás, Manuel Palomo-Duarte

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Detecting Creative States From Emotional Cues: Insights From Speech With Focus on Text Modality by Sepideh Kalateh, Sanaz Nikghadam-Hojjati, Jose Barata

Subjects: “…Computational creativity…”
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Has computational creativity successfully made it “Beyond the Fence” in musical theatre? by Anna Jordanous

Subjects: “…computational creativity…”
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Experience evaluations for human–computer co-creative processes – planning and conducting an evaluation in practice by Anna Kantosalo, Sirpa Riihiaho

Subjects: “…computational creativity…”
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Of Flesh and Steel: Computational Creativity in Music and the Body Issue by Mattia Merlini, Stefano Maria Nicoletti

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